CLIMB ABOARD NOW WHILE THERE ARE STILL GOOD SEATS
It is axiomatic that there are no overnight successes.
Because it takes huge amounts of determination and preparation to be ready to respond well when an opportunity finally comes along – and if you’re not ready, it will leave you in the dust and move on.
Take your American Idol singer
The pipes that astonish are not natural, spur of the moment, magically angelic. Nope. If so, they are most likely to freeze at the first sign of stress.
The singer not only sings a lot in the shower, but has had parents paying for individual teachers, has been singing in the church choir, has spent years listening to music, and has been through a whole list of roles in the school plays.
Being on stage in front of a bunch of strangers and wowing Simon Cowell is not a fluke.
The illusion that it is sudden and unexpected and a direct blessing from Heaven is for the AUDIENCE. The ones who want to jump on the bandwagon as it goes by because, “I’m just as good as she is.” It keeps them buying the advertised products, watching the shows, purchasing tickets for Kelly Clarkson when she comes to town.
Even the little Wow! stories are the product of hours and hours and hours of cameramen recording every remotely possible candidate practicing in the hall – to be scrolled through for the exciting bits AFTER the winner has been chosen.
It matters only for the individuals
The producers don’t care who wins – they have SO many contestants that their triage is stricter than that after a major accident: they may let a few charismatic duds go through a few levels they aren’t qualified for – one leaves in the random possibility because crowds are fickle, but the staff’s job is to make sure that the two or three possibles culled out of each thousand who apply are usable.
They have no investment in a particular candidate. It’s dangerous to have one because talent and stardom are unpredictable beasts.
But the individual candidates, those who want to win, have to be ready to win – if it happens.
Artists need support BEFORE
before they are recognized as somehow ‘good.’
before they get discouraged and stop producing amazing work.
before everyone else discovers them.
It is even more important for those who are slow, or for whom doing the work is a great mental and/or physical effort.
I know that I will never forget the earliest responses on Wattpad from other writers, the ones who kept me cheerfully sharpening my nose. Because they KNEW – and SAID so – BEFORE others.
Peter Hyland, one of my characters, says,
“None of my friends are perfect. And most of them are irreplaceable. They provide the mirror when I get too big for my britches. New ones are hard to find.” He squinted at the dying sun. “I need them far more than they need me.”PRIDE’S CHILDREN: PURGATORY, Chapter 13
It is hard for people to commit, to say, “I’ve found this new writer/photographer/painter…, and you should look into their work” to recommend someone to a friend. What if the friend doesn’t like the new artist? Easier not to say anything, and just nod wisely.
But once the wagon is full, one more supporter isn’t going to make that much of a difference.
Getting started is hard – but up to the writer, who is the one to make the decision when something is first ready to be released to the public.
But keeping it going is much harder still, and that’s when the support can make the difference between someone going on to do creditable work – or quitting.
It may or may not be important, or a stepping stone of any size, but I’m saying thank you to all my readers who have been saying, “I like what you write,” since I started putting Pride’s Children out in serial form on Wattpad.
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Pride’s Children: PURGATORY has been named Indies Today’s 2021 BEST CONTEMPORARY novel, and I’d love it if those of you who read mainstream fiction would pop over to my other site, the one for the books, and sign up to follow that blog as I get ready to finish and publish the second novel in the trilogy, Pride’s Children: NETHERWORLD.