Category Archives: Promotion

A writer’s Patreon can be fun

Neon plastic dinosaur toys with text: A new venture, a writer's Patreon; Alicia Butcher Ehrhardt

FOR THE CHATTY WRITER!

I just finished another free public post in my new Patreon:

Workspace notes for Scene 21.2
https://www.patreon.com/posts/18317676
984 words

I’m using this Patreon as
1) a place to post the finished scenes in Book 2 (Pride’s Children: NETHERWORLD) as I create them – the first chapter of the book, Chapter 21 in the trilogy as I number continuously in case I ever get to put the whole thing in a single volume (tagged ‘Free public posts) is now posted in its entirety, a scene a post.
2) a place to talk about me, me, me: my writing process, my ideas, my scenes – for those with a burning desire to examine how I do what I do (still producing more ‘Free public posts’ for now).

Why? Because I need it; but more because my writing process produces 10 to 100 times more written material, per scene, than ever ends up in a scene, and that’s the kind of ‘reward’ Patreon recommends that writers produce for their patrons.

I’d love to see Ursula LeGuin’s work notes for The Left Hand of Darkness if they were available, so I’m enjoying producing a few of this kind of posts to see if they are attractive. My #1 patron loved the first one. We’ll see how her enthusiasm holds up.

And it got my brain going this morning to have something both specific, and not too hard (as it’s based purely on that background material I already produced) to get writing on.

Stop by and poke around the free stuff already there, and give me some feedback. Are you interested in having patrons?
https://www.patreon.com/alicia_butcher_ehrhardt

And for me, the question is: Will you be my patron?

I checked out many of the writing Patreons. It’s not an easy site to do searches, but patience was rewarded, and I looked at fifteen pages of them to see what other writers were doing, what they were offering as rewards, and where they were on their writing journeys.

For strict writers of fiction (short stories, novellas, novels), I noticed that many were looking for support while writing their first novel – with no previous material listed as proof that they could finish one.

It is continuous crowdfunding – so to keep patrons interested and coming back, the writer has to produce a lot of new material.

I’m among the more organized Patreons; it isn’t a requirement. I’m sure the pressures of keeping a subscription site going are considerable if you don’t have a lot of usable material already. There are a lot graphic artists doing things like webcomics and graphic novels. Alas, I lack the talent (or the interest to develop any I like) beyond producing at least a few more covers that scream ‘Alicia did it!’

When I get to that stage again, I might use this (if there is interest) to post not just the final cover, but some of the steps and the thinking. Again, if I’m doing the background writing anyway, some of my readers might enjoy watching the process.

Reward tiers, ie, cost to patrons

My lowest tier is for scenes, and the next lowest is for scenes + background posts. Patreon wouldn’t let me offer them for less than $1, but you are allowed to cap the number of payments you will make in a month (which won’t stop you from getting them, only from paying for more than one a month).

My intention is to post up to two scenes a month, and up to two additional background scenes a month (to give myself time and space to make them look good – and remove a few spoilers from my notes which were intended to be private or to overwhelm my biographer(s)).

Patrons will help shape what I put up for those Workspace posts.

There are rewards for the truly committed – I’ve priced them in consideration of how hard it will be for me to satisfy the requests, and warned some may bring my writing on that day to a halt (I can only use each energy spoonful once, and I get far fewer than normal humans get).

Patrons can stop patronizing (patroning?) at any time, and late joiners will have the advantage of getting more early posts for free – and the disadvantage of not having as many credits toward a copy of the book when it’s finished.

So it’s an easy thing to try out.

1) Read the public posts already there (click button in sidebar to take you there).

2) Decide if you want more.

Easy peasy.

Maybe I’ll see you there. Got questions? Wish I’d had someone to answer them when I started the Patreon, but even I managed it in a week or so.

 

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Flexibility is worth working through pain

Setting sun behind woman leaping. What you give to keep yourself in shape? Alicia Butcherr EhrhardtIT IS HARD WORK TO STAY FLEXIBLE

To keep writing

Over this past week, while struggling with the chore of de-junking a house, divesting myself of decades worth of stuff, and getting my singing in, I have been physically exhausted (even though I direct the work, not do it).

The sleep I’ve been getting has been fractured, erratic, odd – and never deep enough.

So, the perfect time in life to take on another major task?

So, of course I did

As I mentioned in the previous post, I started a Patreon page for Pride’s Children; NETHERWORLD, Book 2 in the trilogy (see button on sidebar – I figured out how to have one with a link!!!).

Because, among other things, I realized that the moving tasks are ordinary. And while they need to be done, and every detail has to be supervised by me, and there has been a huge emotional content (you try capturing in a few scrapbooks about twenty years worth of homeschooling three kids!), it wasn’t hard, or tricky, or complicated, or complex, or even challenging.

Ordinary stuff. Every homeschooling family has tons of stuff to dispose of. Every family moving out of a long-time home has a lot of stuff.

But there is no great intelligence or problem-solving ability necessary; in fact, that gets in the way because methodical and utilitarian are the words that describe the process. Just do it. Make a decision: box it for the move, declare it object unnecessary, give it away.

What keeps your brain usable as you get older?

I’m convinced it is USING that brain, not letting it get fuzzy and lazy and go easy.

Starting a page on another platform for promoting your work – that’s complex and challenging. Patreon doesn’t make it particularly easy – I find a lot of applications which are developed for online and Windows use somehow seem to lack menus and a sitemap which works and guides that are more than basic – and I had to keep poking to find even rudimentary details. Such as which is the best way to get your money out (when you get any).

Inexplicably, for Direct Deposit via Stripe,  the payment page gave you a form to fill out which required banking information AND your Social Security number, but which didn’t mention fees.

And for Paypal, it listed some fees which could reduce your take.

Thus giving you the impression that even though Stripe usually costs money, the direct deposit part didn’t. Making it better than Paypal.

Stuff like that. (It’s not true, BTW. But you have to figure it out based on the amount being transferred, by going to the two payment methods’ sites and doing the mental work.)

Digging and logical thinking

It would be nice to have no fees to deposit your money earned into your bank account – Amazon does it, right? Amazon’s fees are probably included in their calculation of their cut – they just don’t break it out.

Doing this kind of mental work, hard, new, in a different and unintuitive (for me) format is worth doing – because it keeps me flexible – for the next thing that comes along.

I’ve found myself getting lackadaisical about learning tasks like how to control the network of TV and Netflix and Amazon video and Youtube – the spouse clicks thousands of times a night while organizing a couple of hours of something to watch. I let him do it, most of the time.

But watching TV is not my profession. Writing is. And I take it seriously for now, and as long as I can do it. And it changes continuously, but no one is going to make it easier for me.

So I charge in, do the work, maintain the flexibility to attempt and conquer the next challenge, and revel in the ability to still master the new.

It’s exhausting – and necessary.

And then there’s all the daily physical exercise

Which keeps the physical pain under some sort of rough control, so I neither take too much additional medication nor sit here in a haze of pain, unable to think.

But physical pain is boring. Not intellectually challenging.

So I’m not talking about it.

But I gotta get my mental ‘steps’ in, and push that to the limit.


Do you find yourself slacking off when there’s something new to be learned? Are you conscious that you’re passing up opportunities to keep the ol’ cerebrum functioning? Are you making an actual choice?


Don’t forget to visit the Patreon page  – the first chapter’s on me (pages are public), and you don’t even need to figure out how to create an account, and then have to close it. Feedback welcome, whether or not you will use the platform to read.


 

From a slow writer: NETHERWORLD in scenes

 

Not a working button; link in SIDEBAR

ONLY FOR THE IMPATIENT

Me at Patreon.

I can’t do an actual Patron linked button because this is a WordPress.com free blog (for which I’m very grateful), and you can’t sell things from them. [Figured out how to make a link available in the sidebar!!! – updated 4/16/18]

I am literally terrified to change anything on my blogs. It isn’t the money, though, unless you’re selling very well, costs can be more than you earn.

It’s change. There is so much change in my life right now, I can’t take on any more.

Plus it’s time – to figure out a WordPress.org site would take more time than it’s worth, and make NETHERWORLD even later. Seems counterproductive.

Click the link (not the fake button) – there will be a few scenes from the beginning, and in a week or so, all of the first chapter (Chapter 21 in the continued Pride’s Children numbering) for you to read.

For those who become patrons, I’ll post the scenes as close as possible to finishing them, as I serialized PURGATORY in 2013 – 2015, and they’ll get access to the completed book a little sooner than the general public.

Why?

I did this for myself, for the fun of it. I expect few of the people who say they can’t wait for Book 2, Pride’s Children: NETHERWORLD, to be serious enough about it to sign up for an inexpensive Patreon and get the scenes as I finish creating and polishing them, in my painfully slow and deliberate writing process. I’ve made it ‘pay per creation’, not monthly, in case my cache of startup finished scenes runs out.

I know I can do this – I serialized PURGATORY, publishing a finished scene every Tuesday for two years. It’s presumably going to be a bit faster this time.

There will be some extra content, available in special posts, because I generate at least 10 to 100 times more words than end up in a typical 2000 word scene during the writing thereof, and some of it is interesting.

Since I will be talking mostly to true fans, I expect to have some discussions and questions of a different sort than on this general writing/life blog of mine. If so, I’m hoping it will encourage the writing. That is if anyone signs up: I’ll do the writing anyway.

It’s a different beast from this* or the Pride’s Children blog**

For one, I have expectations of my patrons (and tell them right up front), which I’m always muting in the world in general (where nobody wants to hear writers talk endlessly about their ‘creations’).

It’ll be all about the book and the writing and the characters, and possibly the research and the ideas…

Not so much ego (though there’s plenty of that) as self-centeredness. Me, me, ME. And my book, of course.

Different focus, different content, and me as supreme ruler of… Oops! Don’t have any interest in running the world – too much work, not enough writing time. Just what I’d love to talk to people about, as they try to slip away.

(*General and writing and life posts here.)

(**The Pride’s Children blog was specifically created for those who want to be notified when NETHERWORLD is finished, and I promised not to use it for anything but that and the occasional sales.)


Finishing the trilogy and the story is still top priority

Writing fiction is still the main focus, and everything else comes to a halt when the brain and body give me a break and I can write. And I won’t be writing too much additional content/new blog posts at Patreon, but more grabbing ‘bits’ and throwing them out there from the massive archives.

And patrons can join or quit any time.

I’m doing this for fun – and for me.


Figured out how to make a link available in the sidebar!!!

What do you do with infuriating reviews?

NOTHING

I won’t even defend the grammatical correctness of that statement in the picture: EVERYBODY has an opinion, most of them WRONG.

WRITERS put their opinions out into the world where anyone can read them.

Readers have opinions, too, and they get to express them in many places, one of which is the very modern REVIEW.

This is the system now, people.

Get used to it.

For all the complaints, the reviewing systems are not going to disappear because they have enfranchised the disenfranchised billions who never had a platform before, and now they do.

Moderators may keep the discussion to civil levels.

Insecure bloggers will delete or alter comments they don’t like from opinionated readers who disagree with them.

But I’m finding that I don’t spend much time reading the word of bloggers who don’t ever bother responding to their interlocutors. Not worth it. It has become a two-way street.

[Sort of. The pitifully awkward communication via mobile may be the ONE thing that destroys the system, because it is much harder to do on those tiny keyboards. But wait for good speech-to-text software and microphones that can pick up the speakers subvocalisations, and we may be back in business.]

Everyone’s a critic.

Today a writer whined about her first 1* review, on an FB group I participate in – after writing a bunch of books! Lucky woman. Most of us get a 1* on the first book!

I could tell you stories. In fact, I will. Below. Because one of those reviewers (not the 1* one this time, but bad enough) got MY goat. [Lovely thing, name of Billy, soft, intelligent, beautiful brown eyes… but I digress.]

Writers are asking for it

Literally. We want reviews. We want feedback. We want to know when our arrow has hit their bullseye.

But we don’t want their bullshite.

We want praise. Glorious and unstinting and erudite and literate (not the same thing) praise.

Because, to be able to write well (assuming that’s what the goal is; with some writers you wonder… but I digress), we have to sit at the keyboard and open all our veins to get enough blood to write with (takes lots of extra blood for all those sidetracks and failed attempts that occur with good writing… but I digress).

And being open is a target for, well, bullies. (Anyone who doesn’t like our prose is… darn it with the digressions today.)

Unconscious bullies. Jealous bullies. Bullies-who-had-a-bad-day.

What to do?

NOTHING.

Nothing overt or aimed at readers or argumentative or likely to start a flame war online!

There is enough garbage on the internet already.

And we have the example of very popular writers: pick your favorite, and your favorite book, and go look at the reviews. All of them. ESPECIALLY the negative reviews.

And remember, on AMAZON a 3* review is NEGATIVE/CRITICAL. Don’t believe me? Check those reviews on your favorite book’s page again: the 3*, 2*, and 1* are CRITICAL/NEGATIVE reviews.

On Goodreads, 3* is good, 4* is great, 5* is ‘best book I ever read.’ According to their rubric (I don’t make these things up – what’s the point when you can check so easily?).

On Amazon, 4* and 5* are good, 1*, 2*, and 3* are bad. Just to summarize that neatly for you.

Got it?

Find a place where it’s safe to vent (your own blog should be such a place, even though it’s pretty public, as long as you don’t identify anyone specific or any specific negative/critical review). Better still, complain only to friends and on closed writers’ groups, but it may not be as satisfying.

The upside?

Another review is another review. They keep adding up. SOMEONE is reading.

And reader/reviewers write their thoughts and opinions in their reviews; other people may read the reviews and gain more understanding of what they may be choosing to read. This is good, especially with the negative reviews.

But it ALWAYS points out to you that your ad copy, cover, description, back copy, quoted editorial reviews – everything up until the sample/Look Inside – is attracting certain readers. This should make you pause and THINK.

I know I have a lot of thinking to do (I knew that already, but it was far down on the To Do list, and has moved up quite a bit) when I get a negative review from someone who probably should not have read the book. Because it’s really not their kind of book – and I can’t change it to BE their kind of book. The story’s already set in concrete, all the way to the end of the trilogy, even the parts I haven’t written yet. The style, tone, characters, plot – all implacably going to be very similar to what is already published.

If someone states unambiguously they don’t like Mexican food, don’t give them a coupon and invite them to rate your Mexican restaurant. ‘Twill end badly on Yelp.

So our signals are crossed.

I’m glad they tried something obviously out of their regular reading zone. I’m very appreciative of their reviewing – most readers don’t, and it is an effort I appreciate. I’m not particularly pleased they rated the way they did, but I’m very glad they pointed out in their review what they liked and what they didn’t. That’s data for me, not for writing, but for marketing.

Not sure this counts as a rant, but it is an attempt to bang my head on the wall. Without doing too much damage – I’m slow enough already.

As an author, I do not go to my reviews and down rate the reviews I don’t like. It’s better if readers do that.

Now I’m going to take a nap. All this ranting wipes me out. Especially the ‘tread lightly’ part.


A reminder that Quozio and Stencil provide me ways to make images, gratis, and I would get a subscription if I needed more than a few graphics a month. This little bit of advertising – and the things I create with their tools – will have to be my form of payment for now. I AM grateful. The words, of course, are mine.


What’s your favorite negative review?

Reading unfinished work, knowing the end

HERE IS A NEW INDIE MARKETING QUESTION:

I’m pondering whether the reason many people don’t try a trilogy is because it isn’t finished.

I’m exploring a concept that would provide the reader with story protection, and get the writer a safe space to write and some moral support.

Suppose you:

  1. were considering reading something long, like Game of Thrones
  2. liked the first book in the story trilogy (or at least the beginning in the Look Inside! feature on Amazon)
  3. were worried the author might check out before finishing, leaving you forever curious about how the story ends – and whether it makes sense
  4. knew there is a planned end, and you think you will probably be happy with it (the prologue gives hints)
  5. knew the author is slow, but patient and dedicated, and will finish if is it at al physically possible to her
  6. knew the author was extremely good at following a plan/outline/rough draft – so the story itself is finished, but the execution (the actual words) hasn’t happened yet
  7. wanted to read it now
  8. were willing to take a chance on an ebook version that could be regularly updated as the final draft slowly dribbles out, one scene/chapter at a time
  9. MOST IMPORTANTLY, had the rough draft included in your current ebook so if the author doesn’t make it, you still know how the story ENDS.

Then, would you buy it now, to get what is already there, and wait for the notification that the next update was available and download the whole again from Amazon?

In other words, buy unpolished work full price so as to get the polished pieces (plus the end) faster than waiting for the whole?

Just curious.

It would be very different from a subscription service, or a planned serial, because you would HAVE the end.

You’d have to decide if you WANTED to read that extremely rough version of the end, or just have it in case the author couldn’t finish it. You should choose NOT to read it; the rest of the story in rough format would be your insurance.


The intent of this post is to start a discussion about whether such a model would work to finish the planned Pride’s Children trilogy in a total of around a half-million words.

I haven’t seen it before, but this is indie, folks, and we can do anything we want.

Amazon already allows writers to update their manuscripts.

 

Is the artist in the way of the art?

IS THE WRITER’S APPEARANCE A DETRIMENT TO HER OWN WRITING SUCCESS?

When I was growing up, books had plain covers (no representative art), and the only means of interaction between reader and writer were the words on the page.

I usually skipped things like Forewords, and if I read the author’s bio, it was a quick pass, more destined to reinforce his name than anything else, so if I liked the work I could find more by him.

To this day, I have no idea what Robert Heinlein looked like, and only know what Asimov looked like because he was a bit of a media hound (and I had him confused with Einstein, which would have tickled his fancy. I think.).

There are statues of Marcus Aurelius, in stone or bronze, I assume – never even thought to look.

Modern digital life has changed all that

It is almost annoying when an author goes to a great deal of trouble not to let readers know what she looks like.

I prefer actual current photographs for avatars.

It is a problem for those with multiple pen names.

And I wonder just how much it influences the readers, especially in some genres.

Should Romance writers be pretty?

Humans who have sight are very visual creatures. It is estimated (somewhere) that 80% of our energy goes to dealing with visual input.

We react negatively to ugly things – after millenia of evolution that correlated ugly things with things that were often bad for us, such as rotted animals or toxic snakes.

Other things, such as the thickness of the ankles of young women in countries where sunlight was insufficient part of the year – which is an indication of ricketts, a disease which might also have affected her other bones, and make her more likely to have problems in childbirth, have gotten folded into our standards of beauty: thick ankles = not attractive.

I notice the way authors present themselves (check out Kristin Hannah’s Amazon author page) – and wonder how much that affects her sales (she’s gorgeous, and that’s a great photo). Wonder how any others can compete.

Do readers wonder if any of what’s in the stories is based on experience?

What about opinionated authors?

What do you think of authors whose claim to fame includes a very solid amount of in-your-face-ness? Are you more likely to read their books?

I loved Rudyard Kipling stories; reading about his attitudes has put a bit of a damper on reading his books, and would make me think hard about gifting them to a grandchild if I had one.

I make judgments about people based on their appearance

All the time.

I also immediately catch myself at it now, and look at those judgments dispassionately to see how much might be true. I have managed to change my own opinions quite a bit by a continued practice, and no longer automatically make some judgments which used to bother me a lot because they were so automatic, and couldn’t possibly be true.

But I’m wondering if, in the race for sales, those who look good have an unfair advantage. Again.

At least in getting started in the race.

Choose how you present yourself online

Not suggesting this should change, but I can’t quite stop making those automatic judgments about the photos that people choose to represent themselves with on their author page. Or avatar. Or book cover.

The good thing is that it is usually just at a few places, say Amazon, FB, your blog, and they don’t get to see what you look like first thing in the morning.

I need to work on that.

Do you ever think about how you are influenced by what you ‘know’ about an author?

Do introvert readers keep books secret?

ARE EXTROVERTS MORE LIKELY TO PROMOTE FAVORITE BOOKS?

I belong to several online writer groups, as well as having a circuit of favorite blogs and bloggers, and I can’t believe it took me this long to ask myself this question: do extroverted writers have a major edge when it comes to promotion?

I see people who happily post about their first book, and how they’re hoping that all their ‘peeps’ and advanced street team will be telling everyone to ignore the flaws in their work read their wonderful work.

Maybe some of them are really young.

But it’s more likely that they’re just enthusiastic and love to share.

Does intro/extroversion affect what and how you read?

I didn’t know many readers who were not adults, and not so many of those, when I was growing up. The adults tended to read popular paperbacks, things like The Agony and the Ecstasy or Perry Mason mysteries or even The Thorn Birds, but they also managed to lead normal lives, and didn’t hide books or hide from contact with humans because they were reading.

TV wasn’t so great back then (in the sense of volume), so reading – books and magazines – was one of those uses of time which came under the rubric of ‘entertainment.’ At least in my family.

But I don’t remember reading being something I shared with classmates, and I didn’t see others girls at my school sitting around with books at recess.

You couldn’t have stopped me – I figured it came pre-loaded in my brain, along with a lot of other inconvenient stuff that made me odd.

Does it affect how you share about books?

Having had some experience telling other people about books I liked, and having them blow me off, I’ve been wondering whether it is part of the introvert personality to want to keep things for myself.

And to not want to go to bat for a particular book because who am I to tell other people what to read?

I thought all writers would be introverts

Something about spending time by yourself making up imaginary friends.

But it isn’t at all true.

Having been part of the online indie writing community for the past five years, and read thousands of comments, and contributed my fair share, I finally realized just a couple of days ago that no, we are not all the same happy little introverts, writing away in our little enclaves.

And that some of the writers who claim lots of success are out there shouting from the rooftops about the marvels they have concocted for your delectation.

Whether they have or not.

Squeaky wheel premise? The belief that most people who buy an inexpensive book, especially those who don’t get around to reading it quickly, won’t bother returning it if they don’t like their purchase?

The extroverts just go out and do it themselves.

We’re hiding in the woodwork

Hoping to be discovered by somebody else who will be interested in telling the world for us.

I have to ponder this a while. Figuring it out was startling.

And there are likely to be a significant number of introverts in amongst the readers out there, and possibly some of them are wondering why all the books they see advertised and promoted seem a bit off, for them, because not only would they never act that way, but they would never want to act that way.

I enjoyed Red Sonya, but never in a hundred different lifetimes would I have had any interest in becoming her and wielding my way through the world with a sword.

And we only got Tolkien by accident. He was going to keep it all to himself.

So the problem is double-pronged

Extroverts get in the way between introverts and their potential readers at both ends:

Introvert reader << Extrovert reader << Extrovert writer << Introvert writer,

with all the noise being in the middle.

We need a kind of stealth marketing that bypasses the hullaballoo in between.

I think, after you get over all that, the introvert readers are probably the most loyal out there. And I think they may mention what they like once or twice, but they are constitutionally incapable of being pushy about it, so ‘their’ books don’t get the kind of recommendations, in volume, than the process that propels extrovert books and writers to the tops of the charts.

But that’s just me.

They also have very high standards – because they’re not distracted by the noise.

Whaddaya think?

Making do with everything you’ve got

TODAY IS MY DAY

And I wasn’t even aware of it until I read one of my favorite bloggers, Dave Hingsburger, talking, as he does most days about a little story of people with a disability running into ‘normals.’

My random thoughts about my day

Even in one of my favorite tales, H. G. Wells’ The Time Machine, which I’ve talked about before, in a highly dysfunctional future society which manages to continue working somehow, and where characteristics have split into the industrious but subterranean Morlocks (who keep the world working but look like trolls), and the fragile beautiful Eloi (who basically do nothing useful but tug at the Traveller’s sympathies because they are scared), there are no disabled people.

Who we are

We get ignored a lot. But worse than that, we get looked down on. We get blamed for sucking up resources and money.

Periodically someone suggests just getting rid of us all (this is called eugenics: from Wikipedia, ‘a set of beliefs and practices that aims at improving the genetic quality of a human population’).

Please do try to remember that Dr. Stephen Hawking is disabled.

We are everyone else

Do please also try to remember that humans are fragile, and each of us is one second from not being at all, and one second from becoming one of the despised disabled – and in need of all those services they considered too costly before one of them needed them.

We want to work if we can

Some of us can. Some of us try to support ourselves by our own labors (I’m not in that category; I supported myself because I had disability insurance, something everyone should consider as it is 5 times more likely to become disabled than to die during the ‘working years’).

Some of us can’t. Luck of the draw. Chaos theory and an automobile heading toward us one inch to the right (ask novelist Stephen King; or better still, read the end of On Writing, where he has detailed how a careless driver nearly removed him from your list of best-selling authors).

Some disabled people are capable of producing great work; some are capable of producing a different kind and level of work. But most of us take longer, sometimes a great deal longer, to produce that work. Slow brains or bodies make it a lot harder.

Personally, I think those who keep trying anyway – against the disdain and rudeness and downright hatred they might encounter in public spaces (yeah, that kid with Down Syndrome clearing your table at the mall is, how lovely, a target for teens who think they are somehow responsible for their own wonderfulness), are demonstrating how important it is for us as humans to contribute to our society if we can.

And yes, I’m one of those, so it does sound like I’m tooting my own horn, but today is my day, so I may be permitted a small ‘beep.’

And, of course, we are your brothers, sisters, parents, children, neighbors…

Who of us does not know someone in this category?

And which of us gets through life without?

Please celebrate with me.

We’re not different. So would the world kindly stop treating us that way?

And, if it pleases you, buy our work. It might even be created to much higher standards than you think (hence the title of this post) because it costs everything we have. Yes, you are permitted to make me go viral if you like my fiction, and yes, I am working very hard (and incredibly slowly so as to keep to those standards) on Pride’s Children: NETHERWORLD.

Those who can support themselves by working would really like to do that. And those who can’t will be supported by our taxes, too. I’m good with that.

Please ignore the slightly old-fashioned tone: I have been reading Miss Manners.


INTERNATIONAL DAY OF PERSONS WITH DISABILITIES

Sunday, December 3, 2017


 

 

 

Writing poised under the Sword of Damocles

Pile of rocks on mountain. Text: What is ready to fall on your head? Alicia Butcher Ehrhardt

UNSTABLE ROCKS WILL CRUSH YOU

There are too many things going on in my life, and all of them critical.

But the thing that is making it hard to write right now is one I hadn’t expected: I can’t remember quite how I felt BS (BEFORE STENTS), when I ONLY had CFS.

And by ‘feel’ in this instance I mean sensations in the BODY.

What sensations am I having that are worrisome?

I’m writing about these because they are both common and keep happening.

I’m doing far more exercise (even in my pitiful little amounts) that I was doing before. Part of it has involved a rowing motion with my arms against a resistance, which uses the chest muscles (pectorals) in an unaccustomed way.

So it isn’t really surprising that these muscles have a spot or two where there is sensation. By which I DON’T necessarily mean pain. Just a tightness that is in the muscle, in places which vary but are repeatable. Over and above the left breast. Outer, center, inner – is what I call them. Once of them seems to be relieved by burping. There are one or two similar spots on the right side – but the right side is dominant, and the muscles may be more used to being used. So, less noticeable?

Are those spots connected to the stents? Or are they simply the same spots on the same muscles – because that doesn’t change. Are they INSIDE the ribcage? Or outside, in the overlying muscles. It’s hard to tell.

There is a slight shortness of breath – when I climb a bunch of steps in a row. Or walk a longer distance than usual unsupported, such as when I walk from the house to the car. Or walk across the lawn to the mailbox and back. The heart rate can go up noticeably – until I sit down and let myself relax. I should expect SOMETHING when I do that – when is it too much?

There are muscles in my upper arms which get a bit weird – sometimes one will make it impossible to sleep because it waits about 6 seconds, and gives me an electric shock – for very long times, until I get up and do some range of motion exercises and some stretches and maybe eat something, and sometimes take ibuprofen (I’m trying to minimize NSAIDs, so I resist).

The question: are these significant?

All of these things could be symptoms. Of clogging arteries. Of something about to happen again. Of something not quite right.

But the thing is that they are not up to the level of being ‘reportable’ – or, heaven forbid, calling the doctor about on a weekend, or going to the ER.

I feel I’m on permanent ‘symptom watch.’ I’m waiting for the symptoms to get worse before doing something, in the same way I should have done something when the shortness of breath happened BS.

They used to drive me crazy in the hospital asking me to rate my pain. For someone who lives with a fair level of constant other pain, it is difficult to choose the higher numbers on the scale, and I’m aware of both minimizing and exaggerating as possibilities.

So, not being able to say ‘this is significant,’ and instead being in ‘wait and watch’ mode continuously is stressful. And stress is bad.

It would help if I could remember which of these were life BS

Standing has been a problem for years, and causes pain. So is my exercise making that worse? Or is something more nefarious going on?

If I walked with the walker BS, I often had pain the next day – I’m supporting part of my body weight with those chest muscles and arms on the walker.

I did as much exercise as I could do prudently before – including a lot of isometrics, which involve clenching a muscle and holding it. I know there were times when I did more than usual, and really noticed it.

And I used to ride the bike, too. The next day I usually felt it.

But I had no reason before to make an accurate record of pains and locations – my modus operandi has always been to ignore most of this stuff as much as possible so as not to waste energy on what I couldn’t change anyway.

PTS anyone? Post-traumatic stress?

It’s one of the major symptoms, being hyperalert, and wondering and worrying about things which may or may not be triggers.

Always being on alert is more than exhausting.

Wondering exactly where on the continuum you’re supposed to do something wears you down. That and wondering if it’s new/real/important. Or ignorable.

So I’m sharing with my blog, and hoping that noticing and documenting feeling physical and mental is enough to disarm them – and that the PTS is slowly going away as I do so.

I really don’t want to have to find someone and take the energy to explain all this stuff to.

Thanks for listening, if you got this far. Share if it resonates.

Quality independent literary writing must be nourished

Butterfly on cactus flower. Text: Beauty and quality are fragile. It takes effort to encourage them. Alicia Butcher EhrhardtWANT INDIE STORIES OF GREAT QUALITY TO READ?

Author Jay Lemming, who writes indie literary fiction (among many other things, including a good blog), has taken the lead in finding out how readers of well-written fiction – often categorized as literary fiction online – find their next book, and he’s created a survey for those readers.

Thank goodness for Jay, because this is exactly the kind of thing my energy doesn’t stretch to encompass.

Here’s the beginning of his latest post, making the survey available to readers:

Well, it’s finally here: the 2017 survey for readers of independently published literary fiction.

Click here to participate.

But before you do, you may want to read on for another moment…..

The market for independently published fiction has expanded for several genres: romance, sci-fi, fantasy, horror and all sub-genres therein.

But the market for independently published works of literary fiction has lagged due to the more conservative aspect of its readers…

CLICK HERE to go to Jay’s blog and read about the survey first – it will make great sense that way. Then please take the survey – there is a group of literary indie writers who will be able to use this information, results of which will not be restricted.

Jay will write about the results when the survey is complete; you should bookmark his blog or follow to get these results when they’re available.

Everyone complains that X% of indie work is cr*p – Jay is doing something about that, as are the writers who take the time and make the extra effort.

PLEASE NOTE: there is an amazing amount and variety of indie genre fiction

And plenty of quality work there to read as well – most people can find what they like, and the better writers in their favorite genres.

Literary has become the equivalent of ‘not-genre.’

However, this particular survey is for those who want what we have labeled as ‘literary’ on sites such as Amazon, because ‘mainstream,’ ‘commercial,’ and even ‘big book’ have disappeared as categories, leaving everything not specifically genre as ‘literary.’

The big publishers still have a stranglehold on some of this work – many of their authors (I know several) work very hard, but never see much remuneration except ‘prestige.’ Sometimes that’s because literary work is required for tenure or to maintain employment in an English, Literature, or Creative Writing program.

If indie literary work becomes popular, these authors will take the plunge into indie (as some have done already), and be able to pay for such frills as mortgages and college tuition for their kids.

And some of us, ahem, have started as indies/self-publishers, and have no intention of crawling off to submit our work to agents and traditional publishers big/medium/academic/small.

But if quality writing isn’t rewarded, readers won’t be able to find it.

Go help Jay. Take a few minutes and fill out his survey.


Support indie work in general – don’t forget the Wishing Shelf Awards and the lists of finalists. Children’s books by age groups first, followed by adult fiction and adult non-fiction (scroll down). Look for Pride’s Children – but there are not links to Amazon and other retailers on the Finalists list because it would be too unwieldy; PC is on Amazon here.


My continuing thanks to Stencil for making it easy to create graphics for these posts with a few mouse clicks.


 

The MOST important thing they don’t tell indie writers

Snowy forest night, black sky above. Test: Award winner! Bestseller! Get reader's heartbeat up! Alicia Butcher EhrhardtSOME INDIE AUTHORS ARE GOOD ENOUGH FROM THE FIRST BOOK

Traditional publishing believes it: they LIKE to take a beginner’s book, push it like crazy as ‘the next big thing,’ and then, if it takes, take credit for the success. If it doesn’t, most of the time (as that first book can take a number of years to create), we get articles in the NY Times and The New Yorker by disillusioned young MFA-program writers who thought ONE book was their ticket to live in Manhattan forever.

Hindsight is 20/20. You learn things later you wish you had learned sooner. And they can hurt you. Significantly.

And it’s possible this isn’t important for many beginning self-published writers, so no one has thought to mention it as specifically important.

Instant gratification is a plague on the modern world.

And the Dunning–Kruger effect is rampant. The link will give you a precis of the science, but the short version is that about the bottom 10% of people in competence in a subject think they know it all. Reread that sentence because Washington is full of it right now. The least competent think they are the MOST competent.

Maybe it’s a survival thing – if you thought you knew how to hunt the mammoth, even though your hunting skills were terrible, the mistaken belief allowed you to leap in there with your spear, and it was successful just enough of the time that the gene didn’t die out. Once in a while. And possibly is the origin of the phrases ‘fools rush in’ or ‘beginner’s luck.’ But I digress.

How does this apply to new indie authors?

Here it is: the thing I wish I’d known about – and had paid attention to: your book launch is critical, because in the first month you get a bit of free publicity (new books) from Amazon, and the DATE of that launch determines its eligibility for awards, and you need to know if your book is good enough and apply for those awards at the right time.

NOBODY IS OUT THERE SEARCHING THE NEW INDIE BOOKS TO SEE IF THEY ARE ANY GOOD, AND GIVING THEM AWARDS.

I published late in 2015. That made me ineligible for most 2015 awards (their deadlines had passed), and ineligible for 2016 awards because Pride’s Children: PURGATORY was published in 2015.

I didn’t need to publish then; I could have waited, would have waited if it I’d known the consequences. Early 2016 would have lost me the Christmas 2015 season (during which I sold a few books, very few), and I was so focused on getting that thing out there, that I didn’t even think about awards.

TO GET AWARDS, YOU HAVE TO SUBMIT TO AWARD COMMITTEES – AND PAY AN ENTRY FEE.

The fees cover the administrative costs of most awards, and the prizes (part of which may be subsidized by some foundation). They are set just high enough to discourage most new authors from frivolous submissions. And if you’re determined that the book should pay its own way, are an expense that may be hard to justify.

NOBODY will know that you applied for an award. Other than the financial one – which could be significant – there are no downsides to applying. IF those committees are honest, this might be your only chance to be considered on pure merit (their subjective definition, of course).

And the whole process runs up against the other part of the D-K effect, that the most competent people are  hesitant to say they are competent in a subject – because they actually know how much they don’t know. Many top scientists are modest and humble people.

There is a surfeit of Arrogance in the world.

Self-promotion is something most indies have to work at, and we’re all tired of the relentless self-promotion – Buy my book! Buy My Book! BUY MY BOOK! – of the modern Twitter feed.

But once in a while, a new – or even a first – indie book is a carefully-drafted, polished tome that would have merited consideration by an award committee – but didn’t know the basic facts of submission, because, even though they spent years reading the forums, blogs, and boards before publishing, the FACTS above in bold were never mentioned.

I would have liked to try.

‘Bestseller’ or ‘Bestselling author’ is USEFUL in marketing. And that should be achieved by sales, which most indie newbies won’t have. But ‘Winner of the _____ Award’ IF the award is a real one, and a significant one, is also very good for a book.

I would have liked to know it could be important. I screwed up.

If that’s arrogance and ego, so be it. The awards committees would have let me down, the money could have been wasted.

But the simple facts would have been nice to have, so I’m putting them out here on the off chance that someone else in the newbie self-publisher category will see this, and at least know to look up the awards and their submission guidelines and dates.

And that’s my screed for today. Are there hidden gems, condemned by the very lack of knowledge of their indie authors to remain hidden? What do you think?

“I coulda been a contenda,”

Marlon Brando, On the Waterfront.

Or so one likes to believe.


 

Spent today pitching a movie never to be filmed

READING SCREENWRITING BOOKS IS GOOD FOR NOVELISTS, TOO

It counts as research.

I’m reading – rereading in many cases – Blake Snyder’s three Save The Cat books.

These are well-known screenwriter tools, as is the Dramatica I use for plotting and character development.

The many similarities between the different forms of presenting a story allow significant crossover: a story is a story is a story. Each form is also very different from the others, because once they go out into the real world, a book and a play and a movie script are implemented differently.

But plotting Pride’s Children: NETHERWORLD was not the reason for the reading. Plotting is all finished, and in the scene I’m working on right now, a movie is being pitched to one of our actors. I’m using the device of a pitch meeting to get all the information needed to understand this particular movie into the story in the most efficient way – without seeming like an info-dump.

Isn’t writing a whole movie a bit much as backdrop for a novel?

Of course it is, but you know me: if it’s going to be in the plot (and, with actors, you’re going to have movies in the plot), and I can give it verisimilitude (the appearance of actually being real), I can make you believe the one or two not real points in the rest of the plot.

Machiavellian, you say? Why, thank you.

But I’m not the only one to do things like this – heck, people in fantasies invent whole worlds and religions and ecosystems.

What attracted me to the idea is the fact that Snyder says, of the pitch:

“Poster. Logline. Simple story spine. Eager and inspired telling of the tale. Ten minutes, tops. That’s the pitch.” (p. 123, Save The Cat Strikes Back)

Which fits perfectly into my scheme to sketch out enough of this particular movie to last for the first half of NETHERWORLD, without taking up that much space in the book. After all, I’m writing a novel, not a movie.

I can trust that most people who read have seen plenty of movies, and, given the highpoints, will see a movie where there is only a ghost of one. My readers want to see people working (I hope), but they have no interest AT ALL in seeing the enormous amount of work and time it takes to produce a major motion picture.

Blake also says:

“Regardless of how you organize your story, once you’ve finished your pitch… shut up! The first one to talk loses. If you give into temptation and can’t help spewing more stuff after you’re said ‘The End,’ you are indulging in a pitching no-no called Selling Past the Close.

Shutting up

I’m going to follow his advice. What do you think of it?


*** Pride’s Children: PURGATORY is on sale for 0.99 until 1/30/17***


Thanks to Quozio for easy quote images.

Writers censorship by insiders still censorship

A page of roses. Text: Artistic integrity is for the writer to decide. The road to hell is paved... Alicia Butcher EhrhardtACTIVISTS TELL ARTISTS TO BE POLITICALLY CORRECT?

I received an email today from someone in my own community which reads:

Alicia,

Please, please, PLEASE change the name from CFS to ME.  I have just watched [X]’s TED talk, and that only reinforces how important it is not to continue using this dreadful name. We must NOT add to the wrongness of all that is wrong or not happening with this disease.

[X] might well be putting ME on the mainstream map. …

Thank you, [NW – name withheld]

And it raised my gorge, for reasons I will now explain.

A little background would set this in context

I started Pride’s Children at the turn of this century, set it a few years later into the time period 2005-2006, and locked it down in my memory to keep the details accurate.

It took me a long time to write, a long time to get it right, and a fair amount of time to publish.

Promotion is not my thing, but I’m womanfully shouldering the task, which used to be a purely indie/self-publishing task, but has now become a task most writers, traditionally- or self-published must undertake (or risk selling no books – traditional publishers only market those books expected to be big sellers or for writers in their top 1-2% – everyone else gets bupkis in promotion).

SINCE publication, a bit over a year now, among other efforts, I have asked a lot of CFS people to read, and possibly make a mention of Pride’s Children on their blogs or sites – and haven’t even had the courtesy of a reply.

I shrug – figure they have more important things to do with their time.

My own Facebook ME/CFS community has been far more supportive, and people there have made a huge effort to read (even when they rarely read books any more, and even more rarely something of PC’s length (167K words for the first volume in a trilogy) and complexity. And several have given me the incredible additional gift of a review – and I know how much it costs me/them.

I’ve asked other people connected to the ME/CFS community to publicize, read, review – again, no interest.

Fiction breaks down walls

I emphasize that fiction is one of the prime ways (cf. Uncle Tom’s Cabin, Black Beauty, To Kill a Mockingbird… in novels; movies such as The Philadelphia Story with Tom Hanks) there is to get through the barriers people put up against involvement around their hearts and minds.

I understand; the world used to have a disease of the week, and now it is more like the disease/charity/cause of the second on the internet, TV, and the mails. ‘Compassion fatigue’ is real.

I think I’ve written well; some readers tell me so.

And you’ve heard endlessly my statement that

the more there is a message in the fiction, the better the entertainment value must be

because people don’t like being preached to. Have an important message? Don’t tell people – let them find out for themselves through your characters.

So why did this email bother me so much that I’m blogging about it?

  1. Historical context: for a disease that has been called yuppie flu, CFIDS (chronic fatigue and immune dysfunction syndrome), SEID (recently – something to do with our post-exercise exhaustion), ME (for myalgic encephalomyelitis or encephalomyopathy), and others that didn’t stick very long, it is disingenuous to decide that ‘ME’ (with the first description- one I don’t understand because I always though myelitis was an inflammation the covering on the outside of nerve fibers (Google: infection or the inflammation of the white matter or gray matter of the spinal cord), and I don’t even remember what ‘myalgic’ means (Google: muscle pain). In any case, ME always has to be explained.
  2. Everyone’s CFS is different, though there is a core of symptoms (like a Chinese menu – so many from Column A, so many from Column B). I was diagnosed with CFS in 1989, and nobody did anything then or since to see whether there’s inflammation somewhere on my spinal cord (nor would I let them – the symptoms are bad enough).
  3. There is no approved designation worldwide – the European ME people say we US people with CFS don’t have the same disease, for example.
  4. There are no approved tests – up until now, and especially in 1989 and 2005, the diagnosis was made BY EXCLUSION of everything else they could think of that gave you the same symptoms. We’re hoping for research that will nail down a cause, and possibly give hope for treatment, at least for those who are more recent victims, or possibly not full of co-morbidities after all these years.
  5. Insurance companies and the CDC and the NIH change their designations all the time, for reasons which they always claim are ‘the best.’ I’ve seen a lot of these in 27 years, and few have stuck, and each one claims to be the one which will put us on the map (and wastes a lot of money on talk, administration, and stationary each time).

Another name change could come along tomorrow – and I hope it will when they figure out the cause – some exotic virus or virus fragment or new quasibiological entity – which will give the whole thing the correct context (cf. HIV). CFS is as good as any of these other designations – and has the advantage of being far better known (and not pronounced ‘me’ as in ‘I have me.’)

But of course the most important part is that I choose what I write

And was careful to make some of the above distinctions (ones which would be known in the time period the book was set in), before using CFS consistently in the rest of Pride’s Children, BECAUSE THAT’S WHAT WE USED BACK THEN.

And I guided the reader in and out of those distinctions with care and deliberateness to emphasize the (at that time and still now) UNKNOWN quality of this illness.

If you own a copy, it’s in Pride’s Children, Chapter 2, where Kary explains it to Dana. If you don’t own a copy, the Look Inside feature on the book’s Amazon page includes that chapter in the sample.

C’mon, wouldn’t it be an easy change, and shouldn’t I play ball?

In addition, the email sender shows a cluelessness about how a book is written, published in ebook and in print that tells me blithely to put in hours, days, weeks to change something – because X gave a TED talk.

Good for X (who belongs to one of the organizations I’ve gotten no response from – an organization within a few miles of me, by their address). This is X’s mission – along with more advocacy that I am very grateful for – and which I cannot do. X has put a life on hold (no choice in the matter because, well, of CFS. ME/CFS. ME.) and chosen to use connections I can’t do anything but drool over. I am happy for X.

And one of X’s project, which may make X famous (15 min.? hope not), had a very catchy and expressive name, which was JUST CHANGED to something entirely different I don’t like!

But I spent FIFTEEN years writing the first third (and outlining the rest) of what I consider a major novel with a CFS main character, before any of this other stuff happened (X has been sick for five years, and was in elementary school when I started this project).

I started serializing the final polished novel in 2012 – when X’s project was not even begun.

And there is no way in hell I’m going to make a change to my published story to accommodate anyone, just because they may end up being (probably will – those connections I mentioned – and a HUGE amount of effort) much more famous than I am.

I guess that covers it:

  • it was inappropriate to ask me to change MY book
  • it couldn’t be done, even if I wanted to, without an enormous effort on my sole part
  • and where were you, NW (name withheld) when I asked – I couldn’t even get you to read
  • I don’t think, personally, that CFS is all that dreadful a name; the name recognition, you see

It isn’t ignorance; the person (NW) who wrote has known me and my book’s existence for FAR longer than those five years I mentioned.

Thanks for listening. It is good to get these things written down – and out of my mind, where they tend to fester.

I will happily listen to opinions civilly offered.

Writers: grab YOUR unique promotion opportunities

Woman in fur coat holding sparkler in front of lights. Text: Target Yourself. How are you like your audience?I’M FEATURED TODAY ON BOOMER CAFE!

Hey! That rhymes!

I am a Baby Boomer, born between 1946 and 1964, by the Boomer Café definition.

We are the Post-WWII babies, and there are a lot of us. Many of us are getting to retirement age – and able to do as we darn please.

I’ve been reading Boomer Cafe for a while now (though not since 1999, their founding date!), submitted an article now titled, ‘A baby boomer writes the novel she always planned,’ and they published it today!

There are a lot of hard parts for beginning self-publishing novelists

One of them is the perennial question: who is your target audience?

Because the natural answer for newbies, even if they have written a baby board book, is EVERYONE! Which is not as silly as it sounds, since board books are not bought by babies, but for them, by siblings, parents, and relatives, of all ages.

Pride’s Children: PURGATORY, my debut novel, uses every technique I could learn to appeal to men and women of all ages, and teens mature enough to understand adult themes of love, marriage, work, jealousy, obsession (teens = fans?), getting what you want, and sacrifice. The sex and violence and language ‘rating’ is PG-13 (minimal) because I’m interested in story, not mechanics.

But wide POTENTIAL appeal makes it a bear to market: try planning an ad or outreach that will grab the attention of male teens and their grandmothers, and you’ll see what I mean.

Wide appeal for a book means no generic marketing

So you have to look at yourself, see how you are a member of the demographics you are included in, and figure out how to use that to present your book and yourself as author to diverse groups.

If you write straight Science Fiction, for example, there are oodles of promotional opportunities in newsletters, blogs, lists, sites, and at your online retailers. Your only problem (and it is a doozy) is how to make yourself stand out from all the other SF writers and their books).

I read and I learn. What I have learned since PC came out is something I suspected before I published: regular indie marketing strategies aren’t going to work for me and this book.

Which means one thing: diverse marketing, and a different marketing strategy for each group, with the understanding that there is no more homogeneity in the ‘groups’ than there is in my general audience.

Call it ‘trait marketing’: What do I have in common with Baby Boomers?

And that’s where the inspiration for this particular article came from.

First, to clear that away, I have no interest in writing non-fiction articles for magazines, online or in real life. I am a novelist, with books to write and sell, not a free-lancer looking to support herself by writing non-fiction. That’s a different calling, and I don’t have it.

To the extent that I do, this blog and the one for the books (prideschildren.com) are my non-fiction outlet, and I don’t expect them to pay for themselves or my time from what I write there. I get satisfaction from putting my thoughts in order, from the possibility of an eventual book or two if one arises from the posts because a bunch of people seem determined to write the same way I do (it could still happen!), and from the visitors and commenters here and on the blogs I visit.

But it is almost a cliché that many people think that some day they will write a book – and, until I actually finished one and published it, I was in that group. And that was the perfect topic to pitch to Boomer Café, it met with their approval, I wrote it – and it’s here!

Writing for exposure is not NECESSARILY a bad thing, is it?

Boomer Café doesn’t sell ads. The only way I can use their site to get my book in front of the other Boomers who visit there is to write an article which gets published. And provide something of interest for the subgroup of Boomers who might like to at least consider whether they should attempt that novel.

Anyone who writes to me after reading that article will get pointed in the right direction, and that will be a small partial payment for the advice and many kindnesses other more-advanced self-publishers have given me.

If people who read the article want to, Boomer Café has posted my cover, and a link to Pride’s Children: PURGATORY on Amazon, so readers can check it out and purchase if it appeals to them (or they want to see what it looks like).

And I couldn’t hope for any more than that!

I’m exploring myself and Pride’s Children for that kind of publicity opportunities

This past year, I’ve done a lot of hand-selling, to readers and writers I’ve met on Goodreads, Wattpad, Facebook, and via blogs such as ThePassiveVoice and the many others I follow and comment on. That will continue – it is a more personal approach, and has worked well in getting some awesome reviews. It is not a given that I will get a review or a new reader – my success rate there is about 50% for people who will try reading. More importantly I have found almost all of the blurbs for the book that way.

I’m determined to make this a career, rather than a hobby, so I expect PC to pay its own way eventually.

The question to take away is…

What is there in common – and how do I use that to entice people into reading the first few pages, a couple of scenes, or a chapter or two?

BEFORE that, I have the usual: book title, description, cover, editorial reviews, ratings, Look Inside feature, ebook sample, reader reviews, author page, numerical rankings within the various categories and subcategories (if you scroll down far enough on the Amazon product page for the book)…

Even price. Readers have their own opinions about what books are worth; I have priced at the lower range of what traditional publishers charge for ebooks and paper copies, but higher than what indie genre writers charge. And run a sale at least quarterly.

AFTER that, after TRYING, readers know if they might like a book or not. I trust readers as I trust myself to know what they like to read – and whether I’ve done my job to supply that.

I’ve already met some new and interesting people on the Boomer Café site – maybe some will turn into readers.


Thanks to Stencil for the image above and the ability to add my own words.


Readers: how do you like to be appealed to?

Writers: what special niche marketing do you do?

Looking forward to hearing from you (hint, hint)!