Category Archives: Short posts

Locked down with the virus at the door

STRESSORS TO THE RIGHT OF US, STRESSORS TO THE LEFT

If you live in a retirement community, you are surrounded by vulnerable people – it is the nature of the beast.

Once you move here, they become your friends and neighbors, and you care what happens to them, to the facility, and to yourself in the place you have chosen for your ‘forever home.’

When you get the WEEKLY notice of the results of testing (the whole staff is now being tested once a week):

  1. A private duty aide tested positive.
    • We received results on 8/20.
    • We have not identified prolonged direct exposure to other staff members.
    • This individual provided care for 5 residents. Each of these individuals has been contacted and will be tested. None of these 5 residents are believed to have had any contact with other residents or staff.

and you realize that those in charge are thinking that they will have to continue ‘at least two more weeks as a result of the positive case,’ you also realize they are living in a dream world where, without treatment, cure, or vaccine, they think it’s going to get better – OR they’re saying that because they think WE might feel better – you realize you are living in a situation that you have no control over, and it will continue for a very long time to come.

Everyone is under stress ALL the time

We took the not-fun stress of getting older, old enough to move into a place where you are no longer responsible for a house and yard, and moved.

We haven’t recovered, not really, from the move.

We have never quite completely moved in – the assistant we were hiring is not permitted to come in and help because she is not considered ‘essential.’

The ‘private duty aides’ ARE essential – but that doesn’t mean they don’t have a life, a home, kids, families – and go home to them every day.

We live in a web of interconnections

The reason we are here is because we estimate that some point in the future we will need the help the aides provide, and it is much easier to do it through a facility than one of us caring for the other.

Our kids will probably never all live close, and we made this move so they wouldn’t become caretakers or even arrangers of care, because, with all the good will in the world, it is a humongous job to take care of parents.

None of us planned for such a far-reaching and deadly pandemic.

Je Ne Regrette Rien – moving was the right decision.

But we were going to move, dump the house and responsibilities, and travel – from a home base which we could just turn the key on and forget.

We’re in the age group where, if we take reasonable care, we could expect to live another 30 years. I want to go home to Mexico to visit my family. I want to find a way to do some gentle travel to Europe. If I ever get a bit better, I would love to ski again.

Or hike. Or camp (even in an RV instead of a tent).

With the kids, I want to do a family vacation every year, so they stay connected with us and with each other, and we have fun.

There has been a kink in the plans.

I struggle every day to write, while at the same time fully realizing that stress kills, and there is too much on everyone right now.

Here is a stress inventory.

It is good to take one periodically, to see if things are under control, and if they are getting better or worse.

IIRC, inventory numbers over 300 are practically a direct warning of major illness coming soon, and lower numbers are not ignorable.

I don’t dare take the inventory right now.

Instead, I am taking every possible relaxation approach to dealing with what I know is there.

An important part of dealing with stress is simply acknowledging it

And looking for a time in the (we hope near) future when it will be less.

Which is what we were aiming for, until the latest notice from the county which put the kibosh on using the outdoor pool (which was about to go from 3 to 5 days a week) – because of a new menace, FIRES!

And realizing that others have it far worse than we do.

So, when it gets stressful, I blog – and dump some of it.

Records, records, records

I’m also recording for posterity, as these post are part of the ‘accidental autobiography’ I’m creating by writing bits and pieces in a series of places: emails to friends, notes on the computer, annotations in the Production File I have open for every scene I write, blog posts, and the unlikely storage in social media.

I just requested a current copy of my Facebook information – and will store it on the external hard drive.

Wattpad deleted the forums – and did not give us a chance to do that – so I lost all my forum activity.

I did download everything I created for my Patreon account – some of which may be used again down the line if I serialize the second book, NETHERWORLD.

And I also realize that this is of importance to no one but myself.

And remind myself that I need to create a document for our children which summarizes the information about the family that they might like to have when we’re gone.

ASK YOURSELF what you need to do to reduce stress – and what you need to record for the future – and do it one of these days. Tell us in the comments!

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Based on a prompt: Baby Egg

 

THIS ONE’S FOR MARIAN

She insisted I should finish it.

I decided to give myself a few more words than the 100-word limit of the Drabble – it takes time to shorten, and I’m in the middle of NETHERWORLD, but her prompt inspired me, and here it is:

BABY EGG

She went every day to visit the baby egg. Through its translucent shell, her first child grew peacefully, with her heart sound piped in, and a gentle periodic rocking to simulate her walking around the kitchen.

Protestors screamed outside the lab that it was unnatural.

But it had finally removed Eve’s curse: no birth. No stretching the body out of shape. No pause in the ability to work. No pain. No surrogates wanting to keep the babies they carried for others.

She’d have to be in town when the baby ripened, but, other than that, she couldn’t see why she wouldn’t bond perfectly well with her offspring – after all, adopted babies did fine, didn’t they? There was the oxytocin nasal spray, and the hormones for lactation, and the nanny to do all the changing of dirty diapers.

It should be a hoot to play with when she had some time.

Here’s Marian‘s prompt:

It’s a baby egg. The neighbors got chickens that lay teeny wee eggs and gave me some. I had tomatoes from the farmers market, so I made a marriage in heaven.

She has a cute picture of a very small egg in her hand.

For the record, this is the new ‘block editor’ for WordPress, and I hate it.

Any time you change things I was perfectly happy with, I resent the huge loss of time.

I no longer have any idea where the things I depended on have gone.

If it ain’t broke, don’t fix it.

They do realize some of us have damaged brains, right?

I have no idea how to access the media, or how to insert an image, or…

Pretty much sums up my life.

And I have no idea what this will look like, vertical-spacing-wise.

SIGH!

——————-

Tiny touch of normalcy in the middle of a pandemic

Schwinn Meridian Adult Tricycle, 26-inch wheels, rear storage basket,  Cherry - Walmart.com - Walmart.com

NORMAL FEELS GOOD, EVEN MASKED

Episode #1 – The Affair of the Tricycle Seat Repair

This isn’t my tricycle – mine is a mystery brand – but it is extremely similar. One of the things that was normal this past week was a trip to the Tinker’s Den, my first.

Here at URC, an early resident refused to move in unless he was allowed to bring his basement workshop and woodworking tools. So they accommodated him by building a room off the corner of the south underground garage, and named it the Tinker’s Den. That was 20 years ago, and the workshop is used by a variety of people doing projects.

Well, earlier in the week I finally took the trike seat off because something was wrong and it had way too much side movement, but I hadn’t been able to see what was wrong while it was attached.

When I got it upstairs, I figured out the where the seat was attached to the post, a nut had come off of a bolt, and the bolt was sitting diagonally at an odd angle, attaching nothing.

To make the story short, I called Tenney, the resident whose name is listed for the Den, and we spent an enjoyable if somewhat frustrating hour or so taking the seat apart to get at the bolt, finding a replacement one (the one on the trike must be metric, so our nut jar didn’t have a suitable replacement), and putting the whole back together – and having a nice chat as I helped.

I miss doing that in the basement of our New Jersey house, where I had a full workshop – and plenty of nuts and bolts in jars before we moved. Of course, there had been no need to use a workshop for two years here.


Episode #2: The Affair of the Head Shot

The other bit of normal life was another request of another resident: I have arranged to have an interview of me as a writer published on a blog, and the blogger kindly sent me a list of questions – and a request for a photo.

On her site, I saw that the photos of other authors were much better quality and definition than the snapshot cutouts I have normally used before (yes, I knew I’d have to do something about it some day, but when you’re indie, there are a lot of things on the list).

In any case, when we came to URC, Marion had done a very nice job with her very good camera of taking pictures for the Resident Directory, so I asked if she would take a few for me for the purpose of a head shot – and she kindly agreed.

We settled on Friday morning at 11 (I cannot guarantee being up and functional earlier, though I often am, and I didn’t want to have to call, bleary-eyed, and reschedule).

She had walked around a couple of days before at that time so as to find some good backdrops among the greenery, so we set off to take pictures, her walking (she’s 91), and me on Maggie2.

And spent about an hour using various pieces of greenery as backdrops – and then she put the twenty or so photos on a flash stick which I downloaded to my computer last night.

We were masked, and stayed the required 6 feet apart for most of the time, but talked as we went, and I am so grateful because we have no idea when real normal will return, and I was dreading the whole process (I don’t usually like my pictures), but quite a few of the ones she took are very good. She is amazing.

She was surprised that I want to do the photo editing myself, something I’m reasonably competent at – but I’m really not good at selfies, and an outside photo place is not in the cards right now.


Episode #3: The book blogger reads

And finally, I found out via Mention, where I set up a request that sends me an email when Pride’s Children PURGATORY is mentioned anywhere on the web, that a book blogger whose site Written Among the Stars I visit regularly (she does very good reviews) has started to read it, and her thoughts thus far are:

“This was another one that the writing style took me a little while to jump into to and I was a bit concerned that maybe the story just wasn’t for me. It didn’t take long though for me to catch up and really start to enjoy myself. I adore Andrew. He is quirky, funny, smarmy and just so much fun.”

You know how hard it can be to persuade someone to read something different – and all authors try to find sources for more reviews – so I am very happy that she persisted, and am looking forward to hear what she thinks of the whole.


Little things matter when you’ve been in quarantine a long time.

Please use the comments to tell your stories of what makes you feel normal right now!


 

How to torture your favorite writer

Graph from Kindle showing how many page reads Pride's Children has over a month

THIS IS OLD – BUT THE PRINCIPLE STANDS

I haven’t advertised in ages, because I haven’t figured out exactly how to do it when you write in a 1) smaller niche (mainstream love story), that is 2) usually NOT indie (and you write indie), and are 3) slow (so there won’t be another book for readers for a while longer).

As an expected result, sales are slow (but someone bought a paperback this month – Yay!).

And, under certain conditions, you can SEE a reader take your book out of KU and read a few pages (first yellow bar – around 10, maybe 11 if the next bar was right after midnight).

And then read a few pages every once in a while.

From a later graph and adding all the page reads (PC is just under 400 pages), I think the reader finished by May 19th.

Slow writers take our encouragement where we can get it

But it is amusing to watch a graph like this one (and the speeding up at the end) go by when you are doing your daily check.

And to decide what you’re going to assume about the reader (since you have no data but the few points on the graph, which you assume come from the same borrow) based on NO OTHER INFORMATION.

In this case, I assumed a busy life, and a few pages read at bedtime by someone who KNEW they had to get up in the morning to work. Fair enough?

READERS owe writers NOTHING

I will say that as many times as necessary.

Once the book is on the open market, buying – or borrowing from KU – is more than enough for a reader to give the writer.

At that point, we hope they will enjoy it.

Anything else, a rating, a review, a recommendation – is above and beyond, and a gift.

If a reader buys the paper book, we usually don’t even find out if they read it unless a review shows up (these can really make your day; the absence is just normal reader behavior, because few review).

Between the reader and the writer

This has been the contract (a one-way contract) almost forever: I will read.

Going to the next level of writing a fan letter was very rare, even in the olden days.

Doing anything else other than having a warm feeling for the experience (if that happens) nowadays is as rare.

When you see a book with many reviews, it is usually because the book sold many copies – and the usual percentage (tiny) of readers left their impression.

Occasionally, a very good (or very bad) book may solicit a higher percentage – meaning it hit readers in the gut.

Torture away

Writers don’t expect much feedback

Our readers are mostly not writers – they are the people we hope to serve entertainment to.

But it is possible (probably unconsciously) to torture your writer – by proving you can put the book down, over and over.

If you need to do that, please go ahead. It does require you borrow the book from Kindle Unlimited first – and then read it a tiny bit at a time.

Know that the torture is even better because Amazon pays authors not when the book is borrowed, but as the pages are read.

You’re welcome.


PS: I’m going through my files of draft posts I never finished to see if any still tickle my fancy. This one did.


 

Target reader emotions when you plot

WHAT DOES THE READER REALLY WANT?

I just had a tough decision to make in a scene.

I waffled – there were two ways to write the thing, and there were pros and cons for each of the ways.

Until I hit the right question.

The two ways were:

for a character to stew all day hoping she could achieve her goal that night

-or-

to be confident all day that she would achieve the goal, and spend the time planning how she would enjoy it.

The first way is more dramatic – for the character.

The question?

What is worse – for the READER?

The actual plot will go to the same place: either she will or she will not get what she wants; that was predetermined in 2000 when I started this.

But now that I’m writing the scenes, I need to shift a bit from ‘what happens’ to ‘how do I PRESENT what happens’?

I know where it’s going – the reader does not.

I created the rollercoaster – the reader wants a good ride and a thrill.

My virtual teachers (writing books) teach me that the reader can handle the centrifugal force from being thrown around curves in the plot.

More than they can handle being on a nice calm piece of exposition which is BORING.

Once I asked the right question

the answer was obvious.

The ride for the reader is MEH if they see her seethe all day – they can hope she won’t achieve her goal, assume something will come along, again, to defeat her.

Instead, if I write it right, the reader will see her confident – and reviewing all the reasons she is sure to get – what they don’t want her to get!

And that will torture the reader more than the feeling of ‘she has failed before, she will fail again’ READER certainty.

Can’t have the reader comfortable, now, can we?

Process

This is why I spend the time arguing with myself, in writing, and asking myself why my brain isn’t letting me go ahead with the writing – because it needs to know which plan we’re following here before it will set out the tea lights in their little tin holders and illuminate the path we’ll walk.

I never get much lighting beyond what I need strictly not to tumble over roots and rocks. Then I pick my way along.

It works better for me to know – and the reader to have to guess – where we’re going. I already discard great gobs of ideas and executions which are not what I need. I can’t afford to make decisions on the fly.

I like my shiny new toy. I’ve been using an intuitive version of it for a long time, but I love having the tool be something I am conscious about, in the top tray of the toolbox. Makes it more likely that I’ll pick it up.


If you’re a writer, do you do this?

If you’re a reader, admit it – you want drama, not a smooth ride. You want that ending EARNED.


 

There is only one way to the ending

DO YOU TRUST YOUR AUTHOR?

And it goes THROUGH the plot, through the characters, through the planning that an extreme plotter like me goes into great detail to connect.

Novels start with ‘WHAT IF?”

And must continue to the bitter end, or their promise is compromised by the very one who created them, because of FEAR.

I admit it. It’s going to get rough, very rough, for my characters – as I’ve known since this story came to me.

There is no way this ‘WHAT IF?’ works – except my way. The way I designed to answer that question TWENTY YEARS AGO.

A great portion of that time has been spent making sure it is the ONLY way I can write THIS story.

The Resistance Journal tells the story

Saturday July 25, 2020 at 6:02 PM

All I need to do is in front of me: finish this scene, finish the next, … – get on with it.
Nothing is going to change in the plot.
I can’t make it sweeter or more palatable – and it is NECESSARY.


And then … steps up and decides to fight for what … wants.
This is what I’m writing.
This is what I designed.
This is what’s foretold in the …
Nothing has changed.

I have removed (…) the pieces that would give away too much of the plot.

The angst is real. Writers bleed with their characters.

We don’t LIKE causing pain: it is NECESSARY.

Our characters have to grow, change, evolve, show us the consequences of their decisions in their lives – because this is the entire purpose of fiction: showing readers what happens when different life choices are made.

Have readers ever thought about this?

I know I never did, as a reader. When Agatha Christie killed someone off, I never wondered if it caused her personal pain.

When Dorothy L. Sayers denied her detective the woman he loved, I cried (metaphorically) into my (metaphorical) hanky – but I never wondered much what it cost Sayers.

Now I understand – because I WRITE

No mother ever reared a child without that child crying. Not successfully, anyway.

Not with a child who grew up with the tools to become an adult (they still have to do so much work after we leave them be).

Writers get to be judge, jury, and executioner.

We also get to commit the crime, and be the detective, and work in the hospital where the crushed bodies come in to be healed.

This is what we do:

We torture characters after we make readers care for them.

To show their humanity.

It’s getting harder.

My beta reader tells me she gets what I’m doing.

She calls me a horrible person, too. Which is fine.

You don’t get to have an influence without challenging the status quo.

And it’s going to get a lot worse before it’s better.

I promise: eventually it will be better.

But it has to be EARNED.

Thanks for listening

It’s particularly hard right now.

And I worry about whether readers will decide this is the place where they stop reading.

But then I remember they sat through The Silence of the Lambs.

I’m not THAT bad.

And I mean well. Really.


 

Seniors beginning the covid-19 hard part

THE CONSEQUENCES OF SMALL MISTAKES MIGHT BE DEATH

That’s what makes it so scary.

We have now had one staff case of covid-19.

Management sent a memo, said this staff person is not in direct contact with Residents of our retirement community, and that they had done contact tracing with whoever might have been in contact with the staff person. They were waiting for the results.

Today, at our weekly half-hour QuaranTV closed-circuit broadcast, I asked, and was told the tests on the contacts have come back negative. We have not been told how the staff person is – they were home self-isolating a week ago or so, and we have not had any more information.

And a couple in Independent Living

is under their doctor’s care, and self-isolating in their apartment.

Word is they brought the virus in from somewhere they went, which could have been anything: a doctor’s appointment, a trip to the grocery store, dinner in town during the recent reopening (now canceled), or a trip to their Lake Tahoe home for a weekend or a month.

I understand privacy laws.

We will be told only what we need to know.

Which begs one important question in a facility which also has Assisted Living, Skilled Nursing, and Memory Support: can the person(s) whose contacts were traced be trusted to remember everyone they came in contact with?

A major facility rehab is ongoing

Painting, new carpeting, woodwork – the whine of tools is omnipresent.

The workers are doing their best – and need the work.

But I keep seeing people – Residents, staff, workers – who seem to not realize that the mask they are wearing MUST cover the NOSE as well as the mouth. Or is basically useless.

Why so many people are incompetent at that basic task baffles me.

They don’t seem to realize. I’ve seen someone when reminded put the mask up over the nose – only to have it fall off IMMEDIATELY – and then they do nothing.

How do we protect ourselves?

I personally treat the entire world outside our apartment as contaminated with a layer of a fine dust. The dust is invisible. The dust is like the radioactive dust from Chernobyl: invisible but deadly.

“If you could SEE the virus, would you go out?” asks a Facebook post.

Of course not. And if we did, we’d take it more seriously.

But that only includes those who listen to the scientists, and understand the concept that whatever you pick up needs to be delivered, at some time, to your eyes, nose, or mouth – the mucous membranes are their target.

Even just putting on my gear – nametag, mask, phone into plastic sandwich bag into pocket, keys into other pocket, backpack – is the start of the whole ‘you might be contaminated.’ I wash my hands at least twice when I come back: once immediately, and again once I have removed my outer gear, nametag, etc., etc. – just in case.

I don’t know if those who have gotten ill here – staff and Resident – were careless

I’m assuming they were unlucky.

Since we don’t know, AND THERE ARE NO PRECAUTIONS WE AREN’T ALREADY TAKING, it doesn’t really matter.

I won’t worry – I will just continue to do EVERYTHING, because I don’t know what people are thinking out there.

Wash hands. Don’t touch face. Wear mask. Do not give the virus, which you may assume you have picked up somewhere, A RIDE TO YOUR EYES, NOSE, OR MOUTH.

THIS IS STILL THE FIRST WAVE OF THE PANDEMIC

We in the States never defeated the First Wave.

The Reopeners are living in a fairyland.

There is no vaccine.

There is no cure.

The treatments are symptomatic – and don’t fix much.

If you end up in a hospital, you’re already in bad shape.

If you end up on a ventilator, your chances of making it out are abysmal.

An estimated 10% are NOT RECOVERING – still sick after months.

And we’ve now had several cases in our little enclave.

And Yolo County – and most of California – are finally paying attention and closing down, because there are more cases and more deaths – AGAIN.

I’d hate to be one of the unnecessary deaths.

One of the people who were refused treatment.

One who got the virus from someone acting irresponsibly.


It sounds self-centered, but the time will go by, regardless of how I use it. I’m writing. NETHERWORLD continues to get written, polished, and sent out to my lovely beta reader.

Me NOT writing will help no one.

If I’m still around, I will have made progress.


Which reminds me: I promised to leave a summary of the rest of the trilogy – so you know what happens – where it will be made available to anyone who started reading.

In case I don’t make it.


To the lovely person who bought a paperback: thank you! Hope you leave a review.

Some people prefer paper.

I set my ebook and paperback prices so I make around $5 when someone buys either; it seems about right.


Love you all. Drop by and tell me you’re okay.

Alicia


 

Boosting acflory’s post The Swedish Experiment

Dr. Jon Tallinger whistleblower Youtube video https://www.youtube.com/watch?v=PuhJaelB8GI

[Video link]

DR. JON TOLLINGER BLOWS THE WHISTLE ON SWEDEN’S PLAN FOR COVID-19 ELDERLY PATIENTS

I don’t do this often, but this one seems very important to me.

I have been skeptical of the ‘Swedish Experiment,’ the official Swedish response to the covid-19 pandemic, because anyone who know about epidemiology and vaccines knows that ‘herd immunity’ requires a huge majority of the population to be immune (est. 80-90%).

Then herd immunity makes it unlikely (not impossible) for people to catch the virus from each other, because there are fewer people carrying the virus around.

From the beginning, they said they were relying on people distancing, wearing masks, and behaving like civilized adults, and that this would allow them to not have to shut down the economy.

My friend acflory, on her blog post on Meeka’s Mind, quotes from Dr. Tollinger’s Youtube video above:


The Swedish Experiment

I almost missed this interview in which Dr John Campbell talks to Swedish whistleblower, Dr Jon Tallinger. I was shocked. Then I went to Dr Tallinger’s Youtube channel and watched him tell the world the truth about the so-called Swedish experiment. In brief, it boils down to this:

  • Sweden didn’t expect Covid-19 to hit and hit hard,
  • the Swedish government did not have a plan for dealing with Covid-19,
  • once the virus hit, the plan became to ‘let it rip’ with minimal interference,
  • All the way from the top to local councils, the directive was to not treat Covid patients over 80, or the over-60’s if they had co-morbidities,
  • People from this vulnerable population were not to be sent to hospital if they presented with Covid-19 or Covid-19 like symptoms,
  • Instead, care homes and GPs were to administer palliative care only,
  • This palliative care included morphine to make the patients comfortable, but also to make them appear as if they were not suffering when family came to visit,
  • Morphine is contraindicated for people with respiratory diseases because it depresses their breathing. In other words, it speeds up the moment of death.
  • The people in this vulnerable population were not even to receive oxygen to help them breathe. Top health officials lied about this directive saying that administering oxygen outside of a hospital setting was too ‘dangerous’.
  • This is a lie with just enough truth in it to make it plausible to the public. A small number of people with certain kinds of respiratory problems shouldn’t be given oxygen, but almost all Covid-19 sufferers should. Remember Boris Johnson of the UK? When he was hospitalised with Covid-19, the press made a big point about how he needed oxygen but wasn’t sick enough to need a ventilator.
  • There has been a cover up at all levels of government, and the reason could be that health care for these unproductive members of the Swedish population is just too…expensive.

These damning accusations don’t begin until minute 8:30 because Dr Tallinger clearly fears he won’t be believed and because…this is his own country doing what amounts to involuntary euthanasia.

See the rest at Meeka’s Mind.


Palliative care that speeds death with morphine instead of supporting life with oxygen

is not palliative care, especially when, as above, it makes the patients docile and hides their desperate air hunger from the only people who protect them, their relatives who visit.

It is well known that the most important thing to a person in a care facility is relatives who visit to make sure the person is actually being cared for.

So this is a deliberate attempt to hide the true state of the person in care from the relatives who visit – and it is not going to be any better when those relatives aren’t even allowed to visit.

Oxygen would keep them alive – consuming resources; morphine will get rid of them.

Don’t listen to me – listen to Dr. Tolliver

who is appalled at what is going on.

Listen to The New York Times: Sweden has become the world’s cautionary tale. (This article came out today, after I had started writing this post about acflory’s post.):

Its decision to carry on in the face of the pandemic has yielded a surge of deaths without sparing its economy from damage — a red flag as the United States and Britain move to lift lockdowns.

This is why I won’t go out

I am in that cohort (which has been moved down to the age of 60). When US hospitals are full of patients who need support, they have plans – to deny coverage to people based on age, on perceived value, on assumed quality of life.

I resent the thought that they think some young person who went out partying and voluntarily exposed himself to the virus and caught it is somehow more important than me, who am being very careful (yes, I know – because I can). Those who put themselves into groups of unmasked other people and drink to oblivion.

Our local hospital’s covid beds are full now.

Enjoy your beer.


Thanks to acflory for permission to copy her summary, which is concise and coherent, and terrifying.

Dr. Tollinger has asked people to boost his message; I’m assuming the links to his video are okay with him. He also has a Facebook page.


PLEASE BE CAREFUL: THE LIFE YOU SAVE MAY BE YOUR OWN OR THAT OF SOMEONE VERY DEAR TO YOU.


 

Lockdown is increased following covid-19 spikes

Part of Alicia's face with pool in background

THE FIRST WAVE ISN’T OVER

The requirement for reopening our facility in any small sense was that our state, California, needed to meet the parameters for reopening.

Our Yolo County authorities issue rules which must be followed by businesses, depending on the state guidelines.

A few weeks ago, on June 9th, a gradual, cautious reopening of our dining facilities was initiated, allowing those who chose to participate the ability to go to the dining room for dinner. Many changes were instituted to get people in and out of the dining room safely (most of which would have been too hard for me), but not allowing the kind of socialization we used to have of dining with others not of our ‘household.’

The reopening has been rescinded due to spiking coronavirus cases

I can’t blame this facility for taking every possible precaution – after all, one of the things that happens is that our total survival as a community depends on getting new people in to what is a ‘forever home’ as our older or frailer members leave us.

And reputation is everything in the business world – we can’t afford to have too many empty apartments or the price for the residents will have to go up.

And it is obvious that people will think long and hard before moving INTO a facility that has already had covid-19 cases.

The restrictions are necessary

because the outside world refuses to take the pandemic seriously – but we know how high our death rates would be if it got into our community and spread.

That’s not even a hypothetical: a third of covid-19 deaths, or more, have occurred in people in nursing homes.

And a CCRC (Continuing Care Retirement Community) by definition has a nursing home component (as well as an Assisted Living one) to go along with the Independent Living apartments (where most of the residents live, and where everyone who is part of the community must come into originally).

Lowest common denominator for the community is that EVERYONE is in lockdown.

Because we live in the same building. And are served by the same staff for many things.

I live in fear that our staff OR our residents may bring the virus in

Residents here often (>60%) come from Davis. They have local family and friends.

We can leave the community at any time – at our own discretion. We can see anyone we want – outside.

There is a requirement (probably from the county) that those who sleep one night or more away from URC then self-quarantine for two weeks when they come back.

But it doesn’t cover those who go out for the day for whatever reason, and come back the same day.

We depend on each other being sensible – including our staff, ALL of whom live elsewhere.

So I practice ALL the precautions

So that even if other people don’t do what they’re supposed to do all the time, every time, I have done everything I can NOT to pick up the virus from them if they have it.

The biggest one is that people don’t cover their NOSE with their mask.

They might as well not bother wearing the mask!

It slips down. It’s uncomfortable. They ‘forget’ – and it horrifies me.

I remind them.

They put it back on, and I see it slip off again a moment later!

Staff, Residents, Contractors here installing carpeting – they still don’t get it!

A facemask worn with the nose hanging out is NOT a facemask! Basically, it’s NOTHING – because someone having trouble breathing through the mouth behind the mask will automatically breathe through the NOSE – expelling ALL the air from their lungs through their NOSE out into the community.

Sigh.

I blame education which doesn’t teach every child that their NOSE and MOUTH are connected inside their HEAD.

Among other things I blame.

So I’m horrified, I tell them (they sometimes pull the mask up over their nose and I often SEE it fall down immediately), and I wear mine, stay away, wash my hands…

And try very hard not to leave the apartment.

A small positive note

The county has allowed limited pool access, and limited aqua therapy with a ‘medical’ person present.

So I got into the therapy pool twice for half and hour this week – and am still in a lot of pain from things I stretched, very gently, but which had had no warm water for over three months.

I may not be able to go twice a week (Tuesday and Thursday are too close together).

They may close it back down for whatever reason.

I got no writing done on those days, nor the days after (another reason I may have to do just one).

But the good feeling was amazing: in the water I am not disabled.

In the water I can move, stretch, even go up to tiptoe (in the deepest part of the pool) – things I cannot do very well or at all on land.

I am grateful.


So what has gone well in spite of the virus in your life?


 

The point in writing with care

EVERY WRITER ANSWERS THIS QUESTION

It has become common for writers to tell other writers how to write.

Unless they are discouraging other writers deliberately to keep the competition down!

And every writer who has any control (beginners can often see only one way to do things) constantly makes choices:

  • Is this word the best word for this use?
  • Will MY readers think this is pretentious – or the reason they read ME?
  • If I use a sentence fragment as part of my style, or this particular character’s mental processes, or [select reason] – will MY readers get their panties in a twist?
  • Can my intended readers follow plot complexities?
  • And – most importantly – am I limiting myself by the way I prefer to write?

All of these are valid questions, all have to be answered regularly, all have many answers.

How to choose?

I’m asking myself these questions, as usual, because I just finished the last two scenes in a chapter, and it took me two whole days of using AutoCrit (my online editing program) to get the text the way I wanted it.

Two whole days of whatever brainpower I could muster is still a lot of hours.

And they are hard work. Choices come down to nuance, nuance to familiarity, familiarity to everything I’ve ever read – and processed.

For an example, I’ll put up a section of these scenes, and show the differences:

Sample edit from Chapter 27

There are hundreds of little changes between when I’m finished with the story and when I’m finished with the language.

Why change?

The original was fine, with nothing hugely wrong.

But I’ll find I overused a particular word or phrase.

Or a piece of dialogue doesn’t sound like the character (Cecily, like Andrew, is Irish).

In fact, just as I finished checking the above comparison, I realized I’m missing two places where my tiny intimation of the speaker being Irish is incorrect (I use ye’re – but still have you’re) – and that will be checked several more times before publication.

This section comes from Scrivener – and is missing italics. I’ll have to check to make sure those are as I want them, as discussed in a post on my stylistic choices.

I do my own editing

This is a statement of fact, not a battle-cry.

I found early that my brain is too damaged to do the negotiating, arguing, back and forth, discussing – that goes with having someone else edit your work.

And that it was easier for me to take on the task, plus it forced me to improve my bad habits immediately.

I like the control. I accept the responsibility. And the mistakes I make will get corrected asap if egregious, with the next major revision if minor.

And there isn’t an ant’s chance with an anteater that I’ll have to defend my own choices: nobody can possibly know my style better than I can.

I have the sense to use an excellent beta reader – and always pay attention to what she catches or notices (she’s usually right).

For someone like me, it even saves a lot of time (a relatively expensive commodity for me). Because I handle a single scene (up to maybe 3k) at a time, and it’s familiar to me because I just wrote it, so I don’t have to reload anything into my memory.

The pitfalls of that are obvious: the mistakes will get overlooked because they are so familiar. So I have many passes for just one thing. I have checklists. I keep a list of the things I haven’t mastered.

Nothing’s perfect, but that does get a lot of the little typo buggers.

Is it ‘good enough’?

Yes – after I put the hours, the work in.

Is it getting easier? Yes – if I still put the hours in, and the work, and don’t try to shorten the editing phase by getting impatient to finish.

I think it matters.

It does make me very slow.

I think it’s worth the effort.


Does lack of editing in published work irritate you? Do you notice it?


Thanks again to Stencil for the ability to create graphics – and their free account. If I ever need more than ten a month, I’ll get their paid subscription!


 

Creating and maintaining tension below the surface

BOOKS ARE NOT WRITTEN FOR THE WRITER

You’d think by now this would be obvious: the writer is the FIRST reader, but not the INTENDED reader.

Because writing is a split-brain activity, it is easy to forget that what bothers the writer may not bother the READER, by design.

And you don’t want to go to where things bother the reader.

Annoy, make uncomfortable, show up, irritate – all good words of what the writer should do to the reader – which is SHAKE THE READER UP.

Get under the reader’s skin. Make the reader think. Create a discombobulated feeling in the reader that can only be fixed by the reader changing.

All those are good – but bothering the reader means the writer did something wrong.

And this is where the split personality is required:

I have just written the final two scenes in a chapter.

They were hard to write. There is a lot going on sub rosa. By the end of the book, these two characters will loathe each other.

And right now they are thrown together in an unexpected way, with no warning to either.

But the rules of polite society apply, and they must be civil, even cordial, to each other for a period of time that may be up to two days long.

And one would very much like to get something the other has.

So the scenes are currently driving me a little batty

because the surface must be unruffled – at this point in the story there is no basis for which one person can truly dislike the other.

Which bring me back to the title of this post: Creating and maintaining tension BELOW THE SURFACE.

And the words I put on the graphic:

Books are written

for the READER

To remind myself that, when it’s all over, I have to do better than the street repair team in my previous township. I need the surface to look like the original street, not the repaired street.

A repaired street has a visible patch of asphalt or concrete – of a different color.

A repaired street patch may create a dip in the road as the subsoil settles.

A repaired street show where the damage was.

But a book can’t show where the choices were made

A novel must be seamless.

The scenes must flow.

The reader must be able to know a great deal of why the scene is happening now – as she reads it.

And the writer is not allowed (not by my standards) to stuff description and exposition into a scene just because there is space.

It is work to get it right – it would be much easier to just relax the standards and throw something the reader might need later into the present scene.

But here’s the rub: readers know. And when they run into chunks of exposition, they skip or skim.

And then they don’t find out what the writer was supposedly trying to tell them anyway.

I really, really hope I didn’t do that

I’ll find out when my first reader lets me know; I’ll find out when reviewers speak their minds.

I think I managed it.


 

How to profit from a plot hole

A PLOT HOLE CAN BE AN UNMITIGATED DISASTER

And I’m not going to tell you the size or the significance of the one I just wrestled into submission. Just how.

It’s in Chapter 29 of the WIP, Pride’s Children NETHERWORLD, the second volume in the trilogy, and you will have to remember this AND suss it out yourself when NETHERWORLD is available.

That’s not the point.

The point is that I’m pleased as punch with myself for finding out how to deal with one, and my struggle may save another writer some angst – and amuse readers who wonder if this ever happens and how writers deal with them.

Plot holes

It is almost impossible to invent a world – and not run into a few.

In fact, in the world I’ve built, I’ve been surprised time and time again when the plotting does work out, or a small change in a relatively unimportant date or fact renders everything copacetic again.

Because you do know writers make an awful lot of fiction up out of whole cloth, right?

No matter if ‘inspired by a book’ or idea (even fuzzier) decorates the credits of a new movie, or if ‘inspired by characters created by’ [name] is attached.

And if it did actually happen, there may even be apparent plot holes.

But if it didn’t, well, a writer does the best she can, and leaps into the void with a ribbon between her teeth attached to – a plot.

It depends on when you find the plot hole

If before you write a word, and you can’t find a way to get around it, you can dump the whole project.

But that usually entails dumping a lot of good stuff. Just with a plot hole or two in it somewhere.

However, your options are more limited if you find a reasonably-sized one (for your character’s definition of reasonable) in the middle (almost literally) of the second volume of a trilogy, and it is supporting a plot point you are not willing to change.

What to do, what to do?

First of all, OWN IT

Do not leave it there for an astute reader to find it, not if you’re planning to leave a legacy to the ages.

Readers blab. They leave reviews (if you’re very, very lucky). They tell each other. And for some reason feel they have to mention it when they recommend it: “It’s a lovely book, you know, but it could never happen because it has a few little flaws…”

And, if you’re an extreme plotter like me, it’s plausible – it’s just that it isn’t quite possible or true.

Or the author would have noticed it sooner, and taken care of it in development or plotting or outlining or the calendar or… You get the idea.

So I did what I do with a lot of problems:

I gifted it to a character

And that’s where I’m rubbing my hands with glee.

Because now the CHARACTER has to come up with a solution. And once the CHARACTER has a solution, they have to deal with the problem of whether to cough it up right away and admit they screwed up, or to keep a good and almost logical solution tucked away in their head to be used if someone else notices.

And you then get extras: You can have them get away with it – for a while.

And have it bothering them.

And then, if you’re evil enough, you can have it come up at a most inconvenient time, force them to do their little song and dance, and let another character realize they’re not being entirely truthful.

Which has been kind of delicious.

And is exactly what I mean by profiting.

My readers will tell me

If it worked.

I’m assuming most of them will not be through my gleeful blog posts about writing – I can think of nothing worse to destroy the ‘willing suspension of disbelief’ than lifting the skirts and showing readers the machine under the table.

But what I’m hoping will happen is that any reader who happens to notice that little glitch will also notice that somewhere very soon, before they got too worried by it, a solution popped up to take care of the problem – and the itch is scratched.

And they hurry along, reading, to see what other little problems might crop up – as that is the way of fiction, problem/solution/problem/solution… until the final happily-ever-after, mostly, solution at the end.

So that’s what I spent the last three days on

And a couple of thousands of words in my notes.

And images and calculations and links to places where I got my data from Mr. Google.

And then this tiny little hand-polished paragraph which will get read, absorbed, and left in the reader’s wake.

After all, one must tell one’s readers the truth most of the time, so they will not notice the occasional little lie we have to sneak in – or this wouldn’t be fiction.

On to the next author problem!


If you’re a writer, have you ever had this particular little problem?

If you’re a reader, have you ever noticed this problem? What did you do?


 

 

Nobody does anything about the weather

A red adult tricycle on the Davis, CA, greenway, with the wildlife refuge behind her.

Trixie, my trike

YOU CAN’T SEE THE WIND, BUT IT’S THERE

It is curious to me that it can get so very hot for a week or so – and then go back to reasonable, at least in the mornings, when the world is still heading into summer.

As the world goes around the sun, it gets hotter in the summer and then colder in the winter, but the small variations from day to day often seem to come from nowhere.

The husband has a touching belief in weather predictions. He thinks that what they say will happen, will happen, and seems disturbed when it isn’t dry on a day he intended to put down fertilizer that required dry grass.

Me, I believe, maybe, what’s happening in front of my nose.

Today’s trike ride temperature was supposed to be a balmy 72°F – but it was very windy, and the shorts and short-sleeved shirt I wore could have been replaced by something heavier, especially since I tend to slow or stop a lot because I’m trying not to exhaust all my energy – and lose another writing day, an all-too-frequent occurrence.

I had a bad night Sunday night – so I didn’t get out for my ride yesterday, because by the time I got up (9:30), it was already way too hot for me.

So I was extra careful this morning, and managed to go for a ride while the housekeeping ladies were here, and got blown around more than I had expected.

I had to change my route

Davis landscaping crews have altered my last two rides. I don’t know why they have to block the entire greenway path for longer than two vehicles. Most times you really can’t change the route you’ve chosen, because you can only get on and off the path at given intersections.

However, walkers and runners, even with dogs, can just slip around the trucks and trailers. The trike and I are much wider, and not really suited to going on grass or slopes – which also take more energy to navigate.

So, as I came upon another blockage this morning, I had to figure out how to get home on city streets I don’t usually use.

And it was somewhat longer. And I am more wiped out than I planned.

But getting out is necessary.

I just hope I can recover enough to finish 28.5 – I finally figured out how to handle what could have turned into a plot hole, and then one more (28.6), and Chapter 28 can go to the beta reader, the lovely Rachel.

It is frustrating to need exercise to stay even remotely well, but to find that every single trike ride can cost me a whole writing day. There’s got to be a happy medium in there somewhere.


How has the weather altered your current planning?

Are you going to watch the livestreaming of the Summer Solstice at Stonehenge on June 20 and 21? The kids and I intend to.


 

Creating a new normal from debris

This morning, while the husband had gone to the grocery store on the URC bike to get the few things we need to supplement the dinners here, I spent a half hour singing.

With Kate Wolf, on Green Eyes.

And with Gordon Lightfoot, Sundown.

The first I had never sung; the second, I remember singing so many times back when it was new, I was in college and grad school, and had joined the Columbia Record Club, and had several of his records.

It is easy to let things slip when under a pandemic

I didn’t realize how long it had been since I sang.

Apparently, going to church on Sundays, plus starting an hour-long, twice a month folk-singing group here at URC had been enough to keep my vocal chords in working order, even tired. Each time, after an hour, I had used my voice, and it seemed okay and I was happy with the quality of the sound, happy enough not to give it another thought.

Well, it has been months since I did that kind of regular singing (forgive me, Carol, singing teacher, for not singing every day).

And when I tried to sing about a week ago, it was as if someone had stolen my vocal chords and left someone else’s unused ones in their place.

It was scary. The singing voice was almost paralyzed, and nowhere near what I had come to depend on whenever I wanted it.

So there’s one more thing I have to maintain consciously

The list is getting very long.

Every day, before I can get to sleep, I have to put all my joints through my little stretching and range of motion exercises – or I twitch so badly sleep is impossible. Literally. For hours. Lying there in bed, twitching as if hit by a cattle prod every 5-10 seconds. And now I also have to get up and eat something so my stomach will let me go to sleep.

None of this body stuff used to be my responsibility (except weight: as I’ve said many times before, I do not understand why I should have anything conscious to do with maintaining the right body weight – I don’t have to remember to breathe or make my heart beat!).

I’ve given up complaining – it doesn’t help. When I realize I’m twitching because I didn’t do my exercises, I force myself to lie there – and do them.

When I realize what has woken me up at 3am is that my blood sugar is crashing, I get up, eat a half cup of cottage cheese, and then, while my brain’s blood is diverted to digestion, quickly lie down and get back to sleep.

The demands of the body are nonnegotiable

Insistent.

Immediate.

And a pain in the neck.

But I develop another heuristic, another shortcut for dealing with the new problem, pay attention for a few days or weeks, and put it on the list of ‘things that must be done.’

And I fear when someone else must take care of me, because they’re not going to have the ability to do the necessary actions the instant I need them, and I’m going to spend a lot of my time uncomfortable and not able to do a thing about it.

What a life!

One more consequence of the lovely gift we’ve all been given is to watch it go away.

How to deal?

ME/CFS? Aging? Luck of the Irish? Who knows.

I try to let it take as little of my time and life as possible.

Not complainin’, just sayin’.

And I do whatever I need to keep writing.

While watching the appalling stuff burbling out in our society that has long been suppressed. And trying not to cry.


What is on your list? What are you in charge of that you never had to worry about before?


Thanks to Stencil for the ability to create graphics that are more interesting than the words I throw into them.


 

Do the right thing while you still can

SOMEONE MIGHT NEED TO HEAR A KIND WORD

The poem Maud Miller was quoted in Thomas R. Lounsbury, ed. (1838–1915). Yale Book of American Verse.

John Greenleaf Whittier died in 1892, but his words have resonated.

There is something valuable in using the current world crisis to do things you should have done, now, before the opportunity is taken from you.

This week I wrote a ‘thank you’ letter

I have been mulling it around in my mind for months, because it had the potential of turning into something else.

I finally gave up on the ‘something else,’ which has been, and still is, an unformed request for help of an indeterminate kind.

And that was the holdup: I couldn’t figure out what I wanted to ask for, and it wasn’t clear how. Sometimes that confusion means something: don’t do it.

But eventually I realized that right now, a thank you note out of the blue, when someone is quarantined and disconnected from office routine and usual sources of affirmation, might make the day bright for a person who, through his work, has made my life easier, and my writing better.

With my slightly increased brain function and the pressure of ‘what if something happens to either of us,’ I had a moment of energy, and quickly sat down to put words to page. Added a short handwritten note (the handwriting had been held up by the damaged right shoulder – thank you notes should probably be written by hand), and sent it off.

Now every time I remember the help, I can feel good about having sent the note – instead of guilty that I should, really, and haven’t figured out what to say. It’s DONE.

This week I sent a tough letter to someone

My, how many ‘somes’ are showing up in this post!

But the writings are private, though the insight might be useful, so they cannot be replaced by proper nouns, and can’t even be granted common nouns, so you’ll just have to see if this is still useful.

One of my favorite parts of the John D. MacDonald Travis McGee stories is Meyer’s Law, which for my own purposes I usually remember as ‘Whatever the hardest thing to do is, that’s the right thing to do.’

My ability to quote correctly is legendarily bad – here’s the Google result:

John D. MacDonald — ‘In all emotional conflicts, the thing you find the most difficult to do, is the thing that you should do.–Meyer’s Law

And I am dating myself! The stories are from the 1960s!

Detour aside, this was something that, if our positions were reversed, I would have appreciated getting from the other person. But the contents were very deep, and I greatly feared adding to the other person’s pain.

But Meyer would have been proud of me: I decided it was her RIGHT to know, and that she could deal with it however she wanted to, but I couldn’t forgive myself for not giving her that choice, however painful.

I’m glad I did and she thanked me, and it will probably be the last time we ever communicate, not because of anything bad, but because the contents were the result of our two lives touching over something (here we go again with the somes) which will never happen again.

I promise not to forget, as long as I have memory. And that has to be good enough.

The results are that now I can move on

Every time in the future either topic comes to my mind – which will happen – I have closure. I did what I needed to do. The actions are in the past instead of in a vague future.

And I did the right thing.

For the reference: it hurt as much as I had expected, maybe more – and I can take it.

I see too many books now with this as their foundation

A person in the present turns out to be haunted by something they did or didn’t do in their darkest past, and the future is forever colored by avoiding the sore topic – until something explodes.

I don’t like this trend in novels – everyone has a horrible deep dark secret. An event in the present (usually a death – or a missive discovered from someone who died) results in digging into the past, and explosions ensue.

It is true that times were different before, that things that can be revealed now – a secret marriage, a child given up or adopted, a wrong to someone’s life or reputation – might have had much bigger repercussions ‘back then,’ and we’re more able to survive the revelation now than when it happened.

‘Do it now’ stops future pain – for me

But the present state of uncertainty in our real-life lives makes me hope I don’t get to the end without doing what I should have done.

I have a few more of these to clear up, and then I’ll be free of that particular kind of regret.