Tag Archives: inspiration

May 12 is International ME/CFS Day

Millions of ME/CFS victims are missing from LIFE

Every year this date reminds me that we STILL have no diagnostic marker, treatment, or cure for the devastating disease that stole my life as a physicist in 1989, the week of Nov. 5th.

Another year with nothing really new that can turn me back into a functioning person.

Or even help new victims.

Except that this year there is an understanding that, if we didn’t know what virus had done the damage, ALMOST ALL of the long-covid victims would be diagnosed, based on symptoms, with ME.

But we know that virus, and possibly that will help some of the targeted research that now has been funded to figure out the mechanism of the damage and find a way to reverse some of it.

And maybe, MAYBE, some of that research will benefit newer victims of ME/CFS, and possibly – though the damage is so long-standing it’s hard to think how – those of us who have been waiting for decades.

If you pray, pray for us.

If you’re not the praying kind, think of us kindly.

We’re still sick – and I wouldn’t wish this illness on Putin.

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Meanwhile, Pride’s Children: PURGATORY is still in existence because of ME/CFS, and NETHERWORLD will be out very soon (the disease makes me very slow).

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Having trouble writing a promised review?

SAY THANK YOU! TO A FAVORITE AUTHOR

And they cost the reader nothing but a few minutes.

If you’ve never done it before, or it’s been a while, that first one seems, uh, hard.

Often the best time to write one is when you have just finished a book, and can’t wait to share.

But many people are shy, tell themselves they’ll write one later, and never end up doing it.

So: to make it easier, save either the link to this post, or to Rosie’s, and be ready the next time you’re bursting to say something, to extend your time in the book’s universe just a little bit longer.

Rosie Amber’s Review Templates

Rosie Amber has a lovely set of templates that will get you going on your review. Fill in whichever of the prompts you like (not necessary to write more than about twenty words), and voilà, review!

Want to write something longer? Keep typing and wax eloquent. Tell other potential readers why you like a book.

Create in your wordprocessor of choice and copy/paste, OR write directly into Amazon’s prompts for a review. The templates are SO much more encouraging and helpful than facing a blank page or review form. Thanks, Rosie!

While at Rosie‘s, check around – there are so many wonderful reviews. There’s an easy sign-up to have the blog come to your inbox.

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Can you tell I’m getting ready to ask you to read and review a book?

Authors positively LOVE reviews.

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Where have all the bloggers gone?

Inspired by Where have all the flowers gone? Popular folk song

WANTED: INTERESTING BLOG POSTS ABOUT LIFE AND WRITING

If you’re of a certain age, or ever went to Scout camp, you may already been humming along.

I’m having to sign up to follow and receive via email more and more blogs, because the bloggers I’ve been following for years are publishing fewer and fewer posts, and I need reading material to keep myself centered in the writer-support blogosphere I inhabit.

I write fewer posts because most of my posts have had something to do with the skills I acquired while learning to write – and I’m not actively working on those right now unless I find something I need to learn to get through a current scene.

Because I’m getting to the end of Netherworld – and know exactly where I’m going.

And there aren’t any tricky or new scenes – just the kind of wrapping up I’m hoping will put smiles on readers’ faces, followed by worried frowns about the implications!

I use writers’ blogs to stay up-to-date

I haven’t done marketing in a while (and it shows) because I have two brain cells, and one is needed for breathing, while the other takes an occasional turn at writing a few more words.

But one of these days someone will post something which will trigger something else, and I’ll be off and running.

There are lots of beginner ‘How to’ posts, fewer post on marketing, and almost none on marketing a very small output. At least not successfully.

So I take on new blogs

when I find one which has something a little less basic to say, or is in an area I probably won’t write – hoping to steal the genesis of an idea I can tweak into the book-selling campaign of the century.

I’d appreciate suggestions of blogs to follow, especially if you wouldn’t mind telling me what you like about them.

New platforms may be the problem

I don’t think I’m going to try Instagram or Tik Tok or Book Tok or even Twitter – mostly because I don’t think that’s where my kind of writer finds readers and followers.

Certainly not Youtube – not now! The competition must be fierce.

Trying a Patreon was a waste of time for me (this time) because you have to bring your own followers – and then generate extra material for them. The latter I like – I have lots of words about process and writing – but I don’t have yet the critical mass of followers, and, with very little energy, can’t afford to try.

But a lot of people ARE moving to the new platforms – the young ‘uns don’t use FB much any more.

Where are the readers?

To be more specific for me, where are the readers of mainstream/literary/contemporary fiction, but only those who are not hiding behind the wall of ‘I only read traditionally published and vetted fiction.’

And that, my dear readers, I have not solved yet.

But then I spend most of my time writing lately, and ultimately that will have to yield the answer.

So I try each new blog I find through blogs I already read or people who somehow find me, and participate for a while to see if we are a good fit. There are tens of thousands of my words out there contributing to these fun conversations.

Eventually we will reach critical mass, right?

I’d hate to think the indie experiment is doomed.

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Send me your recommended blogs.

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Fixing what’s not working on novel

HOW LONG DO YOU STICK IT OUT?

Over at C h a z z W r i t e s, Chazz asks: Are you ready to fix what’s not working?

He kindly provided a long list of questions, and after I got started, I realized I should post this here, and just leave the first two answers as a teaser on his blog, which you should visit and follow.

He starts his post with:

Publishing gurus are full of ideas for you. To optimize your sales, they might suggest new covers. They will tell you that your only barrier to startling success is a simple (yet costly) tweak to your book description.

ChazzWrites – 19 March 2022

He asks you:

How do we adapt? Consider these questions:

Here is my list of answers – a good set to answer for yourself in writing. I’ve edited or changed his questions a bit in places to suit me better – you should read his.

What is success to me?

People reading and reviewing my mainstream trilogy – I am pretty sure it will take off in a big way some day, and these people keep me writing.

What works for you?

Doing it exactly my way, designed for a damaged brain and no energy – because it works.

What doesn’t?

Everyone else’s suggestions – I can’t follow them, and when I make the big effort, they don’t work for me.

Have you tested other options?

Yes, though not extensively – I’m VERY slow, and this takes time away from writing.

Have you played with the variables?

Not a lot – by definition, half of A/B testing is going to be wrong!

Would you drop what isn’t working?

In principle, yes – but I have to somehow decide people who don’t know me and my work know what they’re talking about. So far, not convinced.

Are you doing more of what works for you?

I am – and I do as soon as I identify something that works, I do more of it. When I have time and energy, the kicker.

What haven’t you succeeded at trying that might work?

Going viral (not something you can just ‘try.’) Getting on Oprah or equivalent. Practically, attracting a BIG influencer who goes to bat for me.

Have you tried that?

Have asked maybe ten – they all have shied away or answered in generalities or haven’t answered at all. Doing things their way works for them; altering, looking at the outliers, not so much.

Before changing, have you completed other projects?

Yes. I can only work on one thing at a times – very little ability to do elsewise.

Have you analyzed pros and cons of a strategy such as changing genres?

Not until I finish the mainstream trilogy (but I managed to tuck some historical fiction AND some science fiction into it).

What would your costs be?

Funny: They go from me, my time, and my energy, immediately to a very expensive version of let other people do it. I could probably afford it, if I were convinced it would make a permanent difference – but I don’t believe that, because the limitation is still me.

What would the cost/benefit of getting paid helpers be?

I would have to sell a LOT more books to make them pay for themselves, and, since I will never be able to create much of a backlist, there won’t be much help from other work, so it would depend on a single huge campaign for the trilogy.

How much money do you need to live?

Fortunately, I’m retired, settled into a retirement community, and okay.

How much MORE do you need for WANTS?

Lucky that way – none.

Do you have the helpers to effect this change?

Not yet, though I’ve approached several possibilities, and listened carefully to their answers.

Would this be an investment, or money down the drain?

It’s my life, and my only chance of a legacy, since I became chronically ill.

Is a helper worth the time or mental toll it will require?

Haven’t found one yet that is.

What’s keeping you from trying?

Lack of energy.

What’s the worst that could happen?

No increased sales, and the loss of a lot of money which should have gone to charities and the kids.

What’s the best that could happen?

Breakout – and a fame which wouldn’t make much difference to a very isolated disabled life, but would be fun (instead of always being odd woman out).

Is the new way of working a passion, an excuse, or an escape?

Passion, of course. Nothing else is worth the kind of effort necessary.

What makes your new approach significantly different from old projects that failed?

I’m doing it myself; the failed one approached traditional publishing and didn’t get a brass ring.

Are you happy or excited to make this new commitment?

Haven’t had a credible proposition yet; there’s one possibility in the works – a PR company. I’m waiting to hear, because they will have to do all the changing – I don’t have the capacity to.

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And there you have my answers.

Thanks to Chazz!

Go visit, read his actual questions, answer them for yourself.

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Don’t wait for the band wagon

CLIMB ABOARD NOW WHILE THERE ARE STILL GOOD SEATS

It is axiomatic that there are no overnight successes.

Why?

Because it takes huge amounts of determination and preparation to be ready to respond well when an opportunity finally comes along – and if you’re not ready, it will leave you in the dust and move on.

Take your American Idol singer

The pipes that astonish are not natural, spur of the moment, magically angelic. Nope. If so, they are most likely to freeze at the first sign of stress.

The singer not only sings a lot in the shower, but has had parents paying for individual teachers, has been singing in the church choir, has spent years listening to music, and has been through a whole list of roles in the school plays.

Being on stage in front of a bunch of strangers and wowing Simon Cowell is not a fluke.

The illusion that it is sudden and unexpected and a direct blessing from Heaven is for the AUDIENCE. The ones who want to jump on the bandwagon as it goes by because, “I’m just as good as she is.” It keeps them buying the advertised products, watching the shows, purchasing tickets for Kelly Clarkson when she comes to town.

Even the little Wow! stories are the product of hours and hours and hours of cameramen recording every remotely possible candidate practicing in the hall – to be scrolled through for the exciting bits AFTER the winner has been chosen.

It matters only for the individuals

The producers don’t care who wins – they have SO many contestants that their triage is stricter than that after a major accident: they may let a few charismatic duds go through a few levels they aren’t qualified for – one leaves in the random possibility because crowds are fickle, but the staff’s job is to make sure that the two or three possibles culled out of each thousand who apply are usable.

They have no investment in a particular candidate. It’s dangerous to have one because talent and stardom are unpredictable beasts.

But the individual candidates, those who want to win, have to be ready to win – if it happens.

Artists need support BEFORE

before they are recognized as somehow ‘good.’

before they get discouraged and stop producing amazing work.

before everyone else discovers them.

It is even more important for those who are slow, or for whom doing the work is a great mental and/or physical effort.

I know that I will never forget the earliest responses on Wattpad from other writers, the ones who kept me cheerfully sharpening my nose. Because they KNEW – and SAID so – BEFORE others.

Peter Hyland, one of my characters, says,

“None of my friends are perfect. And most of them are irreplaceable. They provide the mirror when I get too big for my britches. New ones are hard to find.” He squinted at the dying sun. “I need them far more than they need me.

PRIDE’S CHILDREN: PURGATORY, Chapter 13

It is hard for people to commit, to say, “I’ve found this new writer/photographer/painter…, and you should look into their work” to recommend someone to a friend. What if the friend doesn’t like the new artist? Easier not to say anything, and just nod wisely.

But once the wagon is full, one more supporter isn’t going to make that much of a difference.

Getting started is hard – but up to the writer, who is the one to make the decision when something is first ready to be released to the public.

But keeping it going is much harder still, and that’s when the support can make the difference between someone going on to do creditable work – or quitting.

Why now?

It may or may not be important, or a stepping stone of any size, but I’m saying thank you to all my readers who have been saying, “I like what you write,” since I started putting Pride’s Children out in serial form on Wattpad.

You may or may not have noticed the new badge on the sidebar.

Pride’s Children: PURGATORY has been named Indies Today’s 2021 BEST CONTEMPORARY novel, and I’d love it if those of you who read mainstream fiction would pop over to my other site, the one for the books, and sign up to follow that blog as I get ready to finish and publish the second novel in the trilogy, Pride’s Children: NETHERWORLD.

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One way to encourage a writer

When you are reaching the end of writing a novel, it looks as if you’ll never finish.

Encouragement comes in odd places:

  • a reader wanting to know when the next one is out
  • sales you didn’t expect, didn’t advertise for
  • the writing going particularly well
  • a tough section written
  • and a review that blows your metaphorical socks off (one gets so jaded).

This morning, my inbox contained a link to that kind of review, and I encourage those who are here for the fiction to take a quick look at the books’ sister site, Pride’s Children . com, and sign up there if they haven’t – because NETHERWORLD will be here early next year, and that encouragement keeps me focused.

An encouraged and supported writer (thanks to all my visitors and commenters and fellow bloggers and friends from FB and GR – you know who you are, and I hope you know how important you are) is a happy writer, and is probably writing much better than a discouraged one.

I don’t buy the drugs-and-alcohol motivated writer narrative (one reason being because my body doesn’t process alcohol fast enough and I don’t tolerate most meds), so I have to go on HAPPINESS, the universal salve.

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Sleep and lowered stress would be nice, too, and research to treat and cure this dratted disease (ME/CFS). I’m doing the best that I can.

Reduced brain fog would be ideal.

I’m doing the best that I can.

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Is your book optimistic or pessimistic?

Or over-engineered?

WHAT IS YOUR DEFAULT POSITION AS A WRITER?

Why do we read?

To learn about the world and to learn about our potentialities as humans.

Really.

To read a book is to live part of another life.

Optimist or pessimist is a question I ask books.

Is your book ultimately depressing or uplifting?

Even horrible books can raise spirits, especially by the end of the book. The Diary of Anne Frank does that.

It’s a value judgment.

Doing some research, I spent time reading the Top Reviews for Karin Slaughter’s Pretty Girls (2016).

Top reviewers are the ones who get the most comments or upvotes; the first four pages had negative after negative review (it wasn’t until page 4 that I found two short positive reviews, from readers), many of those from reviewers you would love to get to read your book: Top 500, Top 1000, Vine Voice…

And those reviewers were appalled at the violence against women that was graphically depicted, over and over. ‘Gratuitous’ was used as a descriptor.

Many commented that the writing was good or adequate or competent (workmanlike would have been my assessment, from reading the Look Inside sample provided), but that the choice of subject matter left them sick to their stomach.

A depressing book – depressing author?

Ms. Slaughter is a NYT bestseller.

Apparently, previous books she wrote were not nearly as negative as this one; many of these reviewers commented they would not read another of her books.

Some commented they wished they could scrub their minds of the images, for which they could find no socially redeeming reasons.

Me, I wondered why they continued reading, even if they skimmed.

The optimistic book – optimistic authors?

SF can be pessimistic (dystopias) or optimistic.

Romance is usually optimistic, and those fans who like to read Romance want their ‘happily ever after’ (HEA) ending, and can be very unhappy with writers who don’t provide one. There is a subset of books which end, not with an HEA, but with a ‘happy for now’ (HFN). These books are still hopeful, but possibly more realistic – and also possibly open to sequels.

Thrillers and mysteries can be all over the map – but do deal with the grittier side of life, and more often are pessimistic or neutral, but possibly with an optimistic undertone, say, to a continuing detective’s life.

A special category is the detective who finds happiness

My favorite, obviously, is the definitely HEA ending of Dorothy L. Sayers’ Lord Peter Wimsey novels, ending with Busman’s Honeymoon, where Peter and Harriet marry, finally, and solve one last real mystery which sets the tone for their married life. Sayers wrote only two short stories about the pair after that, even though her series was popular and is still popular now.

During all the novels, there was still an optimistic cast to the series: there was a right and wrong, people had principles, and there were consequences – but mysteries were solved and things set ‘right’ where possible. Sayers went on to write theology, so her stories were optimistic because she believed in the possibility.

Jane Eyre is optimistic. Silas Marner is optimistic.

Huckleberry Finn is optimistic. The Moon is a Harsh Mistress (Heinlein) is optimistic.

You write what you like

And I don’t like ultimately pessimistic books.

Almost every genre can be written either way; even serial killer Dexter is optimistic.

I just want to know that, at the end of the book, things are, or have the potential of being, better.

That covers a lot of territory, but the thing in a book that makes me pick another book by an author is that there was hope at the end.

So if you read what I write, you will be reassured that, whether you like exactly how I have arranged things to happen, there will be an upbeat end.

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Are you an optimist or a pessimist?

And does it show in what you read and/or write?

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Finagling past reality for fictional purposes

Will the real bridge AND CITY be insulted?

REALISTIC FICTION STARTS HERE

What it’s like to insert a fictional character into a historical event for the purpose of telling a story.

The basic question is unanswered: how to take over a historical event and change it.

Such as how to write a thriller with someone else as President!

So, it’s fiction, identified exactly as so in the beginning of the books, and mine to do with as I will.

I doubt someone has to get permission from the White House to change the President – or we wouldn’t have President Bartlett and The West Wing.

So I’m worried about nothing.

Except…

The general rule to changing a name has to be avoiding harm

If you are going to say something negative, it might bring a lawsuit if the named person or organization feels it affects their reputation in some way. And even if a court decides they are wrong, and you get an amazing amount of viral publicity out of this (google the Streisand Effect if you don’t remember it), it is going to take a lot of your time, effort, and money to fight such a suit – and there is no guarantee you will win.

Organizations can have in-house lawyers who eat problems like this for lunch. They will bury you easily – nothing personal – and have no mercy.

Please read books on writing and copyright, and know the legal definitions of Libel (Letter – ie, written – mnemonics mine, probably not original) and Slander (Spoken) and ask yourself, as a start, whether YOU would feel libeled or slandered if you were the subject.

If even you are uneasy, it may be easier to change the name that might get offended.

And you might have to change that to something that is significantly different in enough ways that no reasonable person would be offended (unpredictable).

Where’s this coming from?

For the purpose of NETHERWORLD, I sort of have to insult a famous movie or two, and some actors – in a minor way.

The insult consists in taking away an earned award – and awarding it to someone else, another movie.

The problem stems from everyone’s ‘knowledge’ of how Hollywood works, and what the major awards are from which organizations.

In the same way that President Bartlett is less interesting if he is Superintendent Bartlett of an unnamed or fictitious school district, an actor getting a life-changing nomination for, say, an Academy Award is more interesting than if I make up an organization called FCBM and award my character their Best Actor award.

Along with ‘The White House’ you get an amazing amount of the reader’s foreknowledge of how things work there – which saves a lot of words and explanations.

Along with ‘an Oscar’ you get the same kind of response – red carpet, photographers, exotic borrowed clothing for beautiful women… And the whole suspense thing dragged out as long as possible, followed by one winner and a lot of gracious losers who were honored to be nominated. It’s in your head already, and a writer just needs to mention a few points to trigger a full-blown award ceremony in your mind.

Why do I even bother worrying about this kind of stuff?

Well, first because I’m a worrier.

Second, because I want that identification and value from the awards. I agree with the organizations and the individuals that they are worth a great deal in a career.

Third, because the last thing I need in my state of energy and illness and retirement is some organization getting its panties in a twist because I, well, lied.

Fourth, because I hope to be famous and well-read (not synonymous) some day, I want to do it right, and not leave a mess for my heirs.

Fifth, because, as a writer, it’s my job.

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Have you had to face this choice? If so, how did you handle it? Have there been repercussions?

As a reader, have you ever wondered if the author has stepped over the line? Care to share?

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The necessary odd story pivot scene

WHEN YOU DIDN’T REALIZE HOW IMPORTANT A SCENE WAS

I write these posts when I get an epiphany (and interestingly enough, it is set right before the real Feast of the Epiphany, January 6th, 2006).

I did what I always do, and gathered enormous amount of material related to the scene in progress – and went through my usual process of trying to turn the most important parts of what the Reader needs to know at this point into a coherent scene.

Almost always when I get to this point in my writing process (and I’ve written much about that), the scene almost self-organizes, includes some of the bits of dialogue I’ve developed during the process, and gives me trouble until I get it written.

Then I clean it up, check against my lists, run it through AutoCrit, and am usually happy to move to the next one.

And occasionally I get massively stuck

Which drives me crazy, and then drives me to picking apart what I’ve done, writing in my Fear Journal, and generally making a mess of everything.

Until suddenly the subconscious hits me upside the head with a ten foot Pole (to thoroughly mix metaphors), and I somehow figure out what’s wrong.

And then add it to another list: THINGS I SHOULD HAVE KNOWN.

Or at least expected!

Which are embarrassingly obvious after that point.

Sigh.

Endings and beginnings are fraught

This scene is essentially the last one in this section of the plot. I knew I needed it, structurally, and threw it in, moved some content around, and left it as a stub in my very detailed Scene list in the Dramatica file.

But I did NOT have a rough draft (the very rough draft of everything I have has been proof of my ability to create a story from nothing, and still serves as an anachronistic paper map to the path) for this scene.

Because, in many ways, I was still learning plotting when I finished the first plot (for Dramatica initiates, had my storyform down to 1) and wrote the rough draft to flesh out the ideas. Only Sandy, my long-suffering writing partner at the turn of the century, has seen the rough draft – and I hope she’s forgotten.

The storyform was then revised permanently in the great Reorganization of 2007.

So, I had somehow known SOMETHING WAS NECESSARY HERE,

thrown it into the mix, and moved on to more important things, such as writing PURGATORY.

And of course that’s what landmines are for: to make you sit up and pay attention.

To put this all into something more understandable: my usual process led me to gather enough material for this important transition pivot, but I hadn’t realized it was an important scene.

I thought it was a simple ‘cleanup and move on’ scene.

And of course it did no such thing as self-assemble.

The important ones on whatever scale never do.

Because they’re something new, and you haven’t done it quite that way before, and your subconscious doesn’t know HOW.

So, no template. So, no assembly possible.

And then, in the wondering and thinking and journaling that goes about when I get stuck in these little quagmires, I suddenly realized that we had reached the top of one mountain, the view was spectacular in all directions (see image), and it was going to matter, a lot, exactly how we got down.

For specifics, and so you might recognize it later, we move from the Czech Republic to Ireland. Over the course of a couple bits in several scenes.

And it is a major turning point in not only this chapter, but this book, and the whole trilogy, because the bottom has been hit, and the Reader doesn’t yet know how the characters are going to climb out, because climb out they must.

Apologizing for the contradictory images and the many cliches, I go now to write this scene, somehow, because I have to.

And that’s not bad.

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As a question, do you remember your turning points, and how wobbly they felt?

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Won’t read your self-published book because

[WARNING: IF YOU ARE ALREADY PERFECTLY HAPPY WITH YOUR READING MATTER (or have already read PURGATORY and are waiting for the next volume in the trilogy), you may skip what follows with a clear conscience.]

I might find something I liked – and have to change my attitude about SPAs (self-published authors).

I prefer to wait until others decide what I should read.

I like classics – and classics were never produced by SPAs. Oh, wait. They used to be (long list of SPAs such as Benjamin Franklin and Samuel Clemens and…) but modern writers are not good unless they can submit and submit and maybe be granted an audience with an AGENT!

There is so much out there I could never figure out what to try.

I want the opinions of established critics, not my fellow readers. The critics have to know what they’re talking about, right? Because their descriptions and reviews are always exactly what I need to know, right?

I actually don’t want you to read my self-published novel(s)

Because I have some requirements of my READERS:

They have to love to read, even when it is difficult and they have to read in small pieces.

They have to love a lot of classics – because that what I educated myself by reading, and it has a habit of showing in my writing.

They have to love at least something out of the mainstream category

It shows openness of mind. Here’s a partial list of my favorites – and all of them influenced me and my writing in good ways:

Dune

The Moon is a Harsh Mistress

The Thorn Birds

Great Expectations

A Tale of Two Cities

Lucifer’s Hammer

Jane Eyre

Pride and Prejudice

Huckleberry Finn

Silas Marner

Dorothy Sayers’ Lord Peter Wimsey novels, especially Strong Poison, Gaudy Night, and Busman’s Honeymoon

Don Quixote and some of the Mexican picaresque novels (for Spanish speakers)

It helps if they loathe

Some of the books I found unsatisfactory because [reason in brackets]:

The Lovely Bones [that ending]

Lolita [subject matter]

The Great Gatsby [cannot get into it – don’t care about any of the characters]

A Confederacy of Dunces [after the first chapter I wanted to wash my brain out with soap – good writing in the service of that?]

Tess of the D’Urbervilles [they couldn’t find some excuse not to hang poor Tess? And yes, I know things were very different back then]

Anything by Dan Brown

Any number of shades of gray

And it really helps if you share some of my blind spots and prejudices

You don’t care for anything supernatural in your novels.

You prefer novels with characters you can identify with. And they can’t be improbably young, sexy, healthy as the only requirement. They should also have a job. And a life.

You don’t want anyone swooping down and saving anyone – salvation must be earned and isn’t assured.

You prefer not to have to ignore a lot of unbelievable plot points (really letting myself in for open season here).

Just because the author writes it isn’t enough justification.

Typos are not good.

Spelling is actually important.

You don’t read modern Romance novels.

You don’t like cozies, except if you categorize Agatha Christie as one.

Chick lit is too perky for you, except in small quantities.

When original authors died, their franchises went with them, and there are NO exceptions to this rule no matter how attractive you find Benedict Cumberbatch. Or Sandra Oh.

Why am I being this picky?

Because I’m looking for people who will actually LOVE the Pride’s Children trilogy, not just sort of like it.

Because I do not write for people who read outside my preferences – they are hard to persuade to try PC, and when they do, if they write a review at all, it is obvious they shouldn’t have tried it in the first place. I’m trying to save them some time. And annoyance (which explains their reaction).

Because people who love may recommend you to their friends, but people who don’t won’t – and book recommendations are the biggest way of finding your ideal readers.

Experience.

BTW, you can be a millenial or younger. That is not an impediment. Your taste palate for novels is the key, not the specifics.

I ALSO love the readers who are not my ‘Ideal Readers’ and love PC anyway. They are my heroes.

What about converts?

I admit to loving those. I have a number of reviews from older men who say, “I don’t normally read this kind of book, but I loved it,” and I treasure those above all others.

But they are very hard to find, it takes me a lot of careful and deliberate effort to get them to try PC, and it is time I should spend finishing the trilogy.

Surely in a world of SEVEN BILLION PEOPLE there are Readers already out there who are looking for specific things, already know what that is, and WILL RECOGNIZE IT WHEN THEY SEE IT.

Oxford commas and all.

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Please excuse my general grumpiness

The writing is going extremely well lately, and I may even finish NETHERWORLD this year, but my physical body is giving me a lot of… shall we say, distraction? And marketing can be a bitch.

Also, feel free to add to my canon in the comments. I will poach any I like and add them to the post, with credit to you.

If you’ve gotten this far without damage to your psyche, click on the book image (top right), read the descriptions and a couple of the reviews for yourself, click on the Look Inside! feature and read the first three scenes or so (you will have had enough to make your own decision by that point, and will have met the main characters for the trilogy). Make up your own mind. Go ahead, I’ll wait. I hope you’re one of us.

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Does love conquer all? With kids?

DO PARENTS OWE THEIR CHILDREN RELIGION?

The following is an exchange that occurred because of a short story posted on Wattpad, and a corresponding circumstance in Pride’s Children (though it may be years before you understand that last statement).

It is my own personal opinion, based on my observations of my family and the families of friends, meant as a conversation starter; usual commenting rules apply.

Where are the obstacles, by definition?

When a Muslim marries a Hindu, or a Christian a Jew, or even an atheist a religious person, it is often seen as the great triumph of tolerance over prejudice, and there are rainbows and falling stars.

When children come, this tolerance can take three nasty turns (not always, of course, but they are BUILT IN to the situation):

1) ‘allowing the other parent to choose the child’s religion’ suddenly becomes ‘bringing up MY child opposite to MY beliefs,’ or

2) bringing the children up as both (an impossibility), or

3) bringing up the children, of parents who were brought up with something, to be brought up with nothing.

Having one parent keep his or her hands off the religious education of the children, and ‘support’ the other’s efforts, doesn’t fool anyone: the kids know Daddy doesn’t believe what Mommy believes – kids are not stupid.

The final option – NOT having children – is a partial solution which must be strongly enforced for the whole duration of life by BOTH partners – a big leap when you’re 20 or 30.

Consequences of attraction.

Sadly,

giving the kids a vague idea of each parents’ beliefs and ‘letting them choose when they grow up,’

is the most common result, accompanied by the next generation not really having much of anything.

Love does NOT conquer all, not very long.

The situation often comes about because opposites are very attractive among people in the marriage marketplace, for a while. People fall in love before they think about the consequences, and the farthest thing from their mind may be adding small expensive bundles of work to a free-spirited relationship.

But the drive to procreate in your own image is powerful, or people wouldn’t spend time and money trying to conceive when Nature hasn’t made them co-fertile.

Solutions?

Think before you get married.

A LOT.

Spend a lot of time with your intended’s family – get to know each other’s actual beliefs – as distinct from the ones you are trying out in college or work.

Talk about these things – once you have that baby, it’s too late.

Have the guts not to go into a marriage hoping ‘things will all work out.’

Respect, love, and tolerance for other people’s beliefs is important in a society such as ours where many religions – and non-religious people – coexist, mostly peacefully.

The disappearance of religious beliefs and practices developed over thousands of years, which help us understand our place in the universe, and cope with the inevitable blows of life, shouldn’t happen by accident.

If you don’t believe – fine. Your choice. And religion has done plenty of damage when applied autocratically.

I just think we owe our children more than Oops!

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Is deep research a writer’s peril?

RESEARCH IS GOOD, RIGHT?

Writers like me spend a LOT of time doing research to set a novel in time and place, to select the best time of day for a scene, to subtly (we hope) slip a reader into an alternate reality where we are going to tell a story that should keep the reader turning pages far into the night.

To create a world that the characters and the reader can explore for a certain distance off the main story path, we have to know a LOT more than the reader, or the shallowness of the setting will show through the words somewhere, and the lack of fit among all the pieces set down as background will leak through into the reader’s subconscious, taking the reader out of the story to wonder ‘if that could even happen.’

NETHERWORLD has several movies in it, and my current section is the shooting of a movie based on certain parts and unanswered questions in the life of the Reverend Charles Lutwidge Dodgson, aka Lewis Carroll, author of what is commonly known as ‘the Alice books’:

Alice’s Adventures in Wonderland, and

Through the Looking-Glass, and What Alice Found There.

The amount of ‘information’ out there on this popular author (and mathematics teacher at Christ College, Oxford) is staggering.

There are entire societies dedicated to his books, his life, his work.

He is a well-known historical character, and many others have staked their reputations on writing about him.

What’s my motivation?

Even non-actors have seen an actor in a movie ask the director, What’s my motivation?

Because HOW you say something, in fact, how you use your whole body to say something, depends on WHY you say it, the motivation that gives the lines written by the scriptwriter a connection to the whole world of the movie.

Good actors go much deeper than that to create their own version of a character, to use their time on screen to make us believe the character so deeply that it’s a shock to see that actor – in a different role! “But he was so good at…” is a common reaction.

A good movie has more

The motivation for making that movie at all, for expending what can be millions of dollars on a particular story, for bringing that story to a fully-realized version that may some day be an immersive 3-D experience for viewers who participate in the movie as a character (we’re getting close with virtual reality – it’s only a matter of sufficient processing power in computers), depends on whether the investment can be justified, made to pay because there are so many people, worldwide, who want to watch (and later, to be).

Go on about how the good stories are distillations of an internally consistent process that requires knowing all the possibilities – and choosing the ‘best’ for the gut of the movie. And the actors work hard at figuring out why.

Which brings me full circle to research

And a character of mine, an actor, doing the research for a role he will play, but deep research, research that goes beyond reading the materials handed to him, or discovered in the easy-to-get-to online sources such as Wikipedia (a huge resource I support every year).

But the characters all come from me, so if they need to do research, guess who’s doing it for them?

It takes time.

It takes time away from the writing. That’s the dangerous part.

It is real research, research into primary sources such as biographies, sometimes histories.

And it is research that has to be stored, savored, coordinated (all those sources don’t agree with each other), until it is used to produce action in the character in the novel – and writing of that action by the author of the character in the novel.

Well, I have been down the rabbit hole again. Found all kinds of fascinating things, some of which I did not dig deep enough to find when I set this section of NETHERWORLD up, years ago. The slow brain makes it even slower.

And now, darn it, I have to figure out how to use all that research to give the character his motivation, and the readers something that keeps them turning pages late into the night.

My kind of author works hard for the readers she craves.

We aim to please.

***********

I don’t have to supervise Biden

Photo of the Madrone courtyard at the University Retirement Community showing flowers, the building in the background, and picnic tables
Madrone Courtyard

THIS IS WHY I HAVEN’T BLOGGED

No, not the picture. That is just a photo of part of our lovely campus at the University Retirement Community.

If it’s warm enough, this is where we have our ‘younger women (<= 75)’ First Wednesday lunch every month, a way for the youngest members of URC to meet each other and connect. Since people move here at all ages, it isn’t the newcomers, per se.

But one of our residents decided to start this group, and it has been nice to have lunch with my contemporaries, some of whom have just moved here.

Most people at URC are older than we are.

Which brings me to my first topic: the coronavirus and the vaccine.

Because we live in a community where most residents, from independent living to skilled nursing, are over 75, when it came time for Yolo County to offer residents in Independent Living the coronavirus vaccine, they decided to include those of us under 75, but living here, the vaccine at the same time they vaccinated older residents and offered the vaccine to the whole staff.

We found out and signed up, along with most of the residents, a few days ago.

So, on Jan. 7, the day after the Capitol riots in DC (more about that later), husband and I got the first shot of the Moderna vaccine. We had very minor side effects, and I got an odd one (but so did others): a slightly red, slightly itchy upper arm around the injection site – but over a week after the shot! It went away before I reported it, only lasting a couple of days, but that was unexpected. Which is why I mention it.

We are scheduled for the second shot Feb. 4, four weeks after the first, and, if all goes as expected (management reassured us yesterday, but that means nothing as they have no official notice, no vaccine on hand, and no control – BUT have not been informed of any problems), two weeks after that, or from about Feb. 18, 2021, we will be as protected as this vaccine can make us.

Almost a year since we went into virtual hibernation, we may be able to move about in the world. No one knows how long it will be before our kids qualify – they are late 20s, early 30s – so this place will be more like a bubble or relative safety, and we may be able to socialize more with our peers. But it’s a big first step.

The stress has been hard to take, especially since some people don’t seem capable of keeping their mask over their nose.

The said Jan. 6, 2021 Capitol riots in OUR capital city

Along with most people, we watched horror as the day when a simple procedural count of electoral votes, certified already by each state, were supposed to simply be read into the record!

Now that 45 has been gone, and Joe Biden and Kamala Harris have pledged to uphold the US Constitution (as their predecessor promised, and then failed to do), it is hard to remember the enormous stress it has been to watch and read about the waning days of a wannabe dictator who attempted to reverse a legal election, and tried to get his sycophants to keep him in power via an attempted coup.

It will be a long time before that is all sorted out, but the days from Jan. 6 through Jan. 20, 2021, will not easily be forgotten, as the authorities slowly regained control over a situation that never should have been allowed to happen, and scared the heck out of the rest of us in the process.

The stress, predictably, made it difficult to write fiction – and made it impossible to blog. Anything I wrote might have been proved false within minutes.

I couldn’t.

I couldn’t make myself find some relatively stable and harmless topic, and I couldn’t write about what I was seeing and reading second hand.

Too volatile.

A real rollercoaster ride of ‘this has never happened in my lifetime.’ And my lifetime has included the Cold War, the Vietnam War, the assassination of President John F. Kennedy, and the moon landings.

I’ll slowly recover – because of the title of this post.

The grownups are back in charge of the country.

Not that I could do anything about anything while they were not, except express outrage on FB, forward liberal posts there, and end up blocking or unfriending people who used hate language.

But, like many of us, I could not take my eyes off the trainwreck, even if I managed to limit it to a quick look several times a day into the headlines, and watching the coronavirus death toll.

Biden and Harris have, as the cliche goes, ‘their work cut out for them.’

I think that means that now they have to sew it into something resembling a garment. Or a shroud.

The sympathy for the victims and their families that was not expressed in the past year was given attention before the grownups even took office, in front of the Lincoln Memorial.

The choices for people in charge have, some of them been a bit surprising, but I don’t have a reservation about the selections that I know anything about. If Ben Carson, who doesn’t seem to care about anything, could head HHS, the Biden appointees can learn whatever they need to learn, and at least are people of integrity – and not all white men, by a huge margin over 45’s.

Nothing will be perfect, and not soon.

As there is incredible damage to stem, and then reverse, it won’t be fast.

I want accountability. Silly me. I hope we get some.

But even then, I leave that to the politicians, to the grownups.

I can’t help, and my opinions are not based on knowing enough to offer solutions.

I will sign petitions, such as the one to provide more funding for ME/CFS research, which, had it been done in a timely manner over the last four decades, would have been ready to help the long-covid survivors who end up with a raging post-viral syndrome.

I will vote, and urge people to take seriously both voter registration and voter intimidation before the midterm elections.

I HAVE NO FEAR OF VOTERS.

But removing post boxes so people can’t vote by mail, removing polling sites so they have to wait in line at the few remaining ones for HOURS, and the rampant intimidation of AMERICANS by domestic terrorists so they dare not cast their votes, is WRONG, makes any elections ‘won’ that way illegitimate, and is a nightmare to leave our children.

Anyone scared of legitimate votes is a FASCIST. There seem to be a lot of them.

We have a long way to go on so many fronts that were made so much worse by 45 and his minions.

But I don’t feel I have to be aware of every action any more: legitimate authorities will tackle the problems one by one.

I never was in charge, but now I’m getting out of the fray as much as possible.

I have NETHERWORLD to finish THIS YEAR. If God gives me life and brain.

*****

How have you been affected?

Will you now be able to move on?

*****


When you have to micromanage your plot

YOU CAN’T PLAN EVERYTHING AHEAD OF TIME

And the farther you are from the beginning and the end (if you’re an extreme plotter as I am), the more likely you are to get to a point where a scene just isn’t obvious.

You know what the chain of scenes has to accomplish (connecting beginning to end efficiently and while keeping the reader entertained), but the specifics of some of the scenes just don’t set off the process which ends in writing the scene as if it had always been there.

I wasn’t surprised to find out it happened on this timeline

On the story that is not primary right now, the character timeline that is keeping one of the three characters off on her own while the other two are doing a very personal interaction necessary to the story, together.

So I know exactly when this character is rejoining the primary thread, and what is going to happen from that point on, but the notes I took on what she does meanwhile, in scenes that have to make her emergence exactly right when it happens, were placeholders, and they don’t satisfy, precisely because they are placeholders.

You can’t let the reader completely lose sight of a character

Not for chapter after chapter. Because in real life, a character is always the main character on her storyline.

It is possible that the time spent alone on her story is not all that interesting to the reader.

In GWTW, many long pages go by when we don’t hear what Frank Kennedy is doing – because Scarlett doesn’t care yet. Then, when her story demands another husband, and she decides she deserves what he has, and her sister would just waste it, she grabs him, and he has a presence in the main story until she manages to get him killed.

That’s one way to do it.

It’s better if that character is doing something

Something that needs reporting back to the reader, and something that will cause major problems if not resolved by the right time in the right way.

Something that really worries the reader.

Something that heads off in a direction far away from what the reader wanted the character to be doing, and that gets worse with each peek we get at what she’s up to and why.

In other words, I was missing an opportunity

And that’s why this scene I’m working on (31.5 for those keeping count) is giving me trouble.

It doesn’t yet have the danger coefficient it needs.

I don’t allow ‘middle’ scenes. Waste of good space and plotting sequence work. If the scene isn’t enhancing the story, it shouldn’t be there, but I have my other constraint which says we need to see what this character is up to.

The reader deserves that: my implicit contract with readers is that I won’t waste their time. If something is there, it can’t be removed (and the books shortened) without doing violence to the story and leaving a hole.

I just hadn’t thought out this particular sub-plot in the detail it needs, and my subconscious noticed – and stopped a perfectly good, if unnecessary, scene from being written.

It was okay.

But not good.

And it is going to have to be much better before I can enjoy writing it, and if I don’t enjoy writing it, why bother?

So I apologize in advance to my beta reader – this is going to make you very unhappy, and that’s exactly what I want to do, because the depth of despair predicts the heights achievable every time.

I made some lists, and I found all kinds of fodder.

I may end up using all of it in various degrees.

I have a bunch of decisions to make about relative strengths and what to summarize versus what to make the reader live through, but the thought processes have generated far more than I needed, and now I get to choose only the best.

I felt a bit lost, and I’ve been struggling with that feeling since I finished 31.4, and now I know how to proceed with making this timeline contribute to the rightness of the conclusion, instead of merely walking along the side track until it crossed the main path again.

Thanks for listening.

This is how I make progress, by understanding what I’m doing – and then writing it down.

I’m trying not to make too many mistakes twice.

That ol’ subconscious knows what it’s doing.

Every time.

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Happy New Year – and I hope you survived 2020 intact!

May 2021 bring you joy and peace.

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Tiny touch of normalcy in the middle of a pandemic

Schwinn Meridian Adult Tricycle, 26-inch wheels, rear storage basket,  Cherry - Walmart.com - Walmart.com

NORMAL FEELS GOOD, EVEN MASKED

Episode #1 – The Affair of the Tricycle Seat Repair

This isn’t my tricycle – mine is a mystery brand – but it is extremely similar. One of the things that was normal this past week was a trip to the Tinker’s Den, my first.

Here at URC, an early resident refused to move in unless he was allowed to bring his basement workshop and woodworking tools. So they accommodated him by building a room off the corner of the south underground garage, and named it the Tinker’s Den. That was 20 years ago, and the workshop is used by a variety of people doing projects.

Well, earlier in the week I finally took the trike seat off because something was wrong and it had way too much side movement, but I hadn’t been able to see what was wrong while it was attached.

When I got it upstairs, I figured out the where the seat was attached to the post, a nut had come off of a bolt, and the bolt was sitting diagonally at an odd angle, attaching nothing.

To make the story short, I called Tenney, the resident whose name is listed for the Den, and we spent an enjoyable if somewhat frustrating hour or so taking the seat apart to get at the bolt, finding a replacement one (the one on the trike must be metric, so our nut jar didn’t have a suitable replacement), and putting the whole back together – and having a nice chat as I helped.

I miss doing that in the basement of our New Jersey house, where I had a full workshop – and plenty of nuts and bolts in jars before we moved. Of course, there had been no need to use a workshop for two years here.


Episode #2: The Affair of the Head Shot

The other bit of normal life was another request of another resident: I have arranged to have an interview of me as a writer published on a blog, and the blogger kindly sent me a list of questions – and a request for a photo.

On her site, I saw that the photos of other authors were much better quality and definition than the snapshot cutouts I have normally used before (yes, I knew I’d have to do something about it some day, but when you’re indie, there are a lot of things on the list).

In any case, when we came to URC, Marion had done a very nice job with her very good camera of taking pictures for the Resident Directory, so I asked if she would take a few for me for the purpose of a head shot – and she kindly agreed.

We settled on Friday morning at 11 (I cannot guarantee being up and functional earlier, though I often am, and I didn’t want to have to call, bleary-eyed, and reschedule).

She had walked around a couple of days before at that time so as to find some good backdrops among the greenery, so we set off to take pictures, her walking (she’s 91), and me on Maggie2.

And spent about an hour using various pieces of greenery as backdrops – and then she put the twenty or so photos on a flash stick which I downloaded to my computer last night.

We were masked, and stayed the required 6 feet apart for most of the time, but talked as we went, and I am so grateful because we have no idea when real normal will return, and I was dreading the whole process (I don’t usually like my pictures), but quite a few of the ones she took are very good. She is amazing.

She was surprised that I want to do the photo editing myself, something I’m reasonably competent at – but I’m really not good at selfies, and an outside photo place is not in the cards right now.


Episode #3: The book blogger reads

And finally, I found out via Mention, where I set up a request that sends me an email when Pride’s Children PURGATORY is mentioned anywhere on the web, that a book blogger whose site Written Among the Stars I visit regularly (she does very good reviews) has started to read it, and her thoughts thus far are:

“This was another one that the writing style took me a little while to jump into to and I was a bit concerned that maybe the story just wasn’t for me. It didn’t take long though for me to catch up and really start to enjoy myself. I adore Andrew. He is quirky, funny, smarmy and just so much fun.”

You know how hard it can be to persuade someone to read something different – and all authors try to find sources for more reviews – so I am very happy that she persisted, and am looking forward to hear what she thinks of the whole.


Little things matter when you’ve been in quarantine a long time.

Please use the comments to tell your stories of what makes you feel normal right now!