Tag Archives: the creative process

Preparation and then things just click?

Hot air baloon at sunset; text: sailing off into the sunset, Alicia Butcher EhrhardtWHETHER YOU’RE READY OR NOT

And we are so definitely NOT ready.

But the last flooring was installed, the staging ladies have done their thing, and our real estate agent is now our real estate agent (all the advice up front doesn’t count until you sign on the dotted line – at which point all kinds of things start happening, like open houses and a lock box on your front door…).

We haven’t recovered from the trip.

We have no place for our stuff – the stuff we need to function as inhabitants of a house (where is my skillet, and how will I make eggs when the gas isn’t reconnected yet?). Which may be a problem, as the period between when you put a house ‘on the market,’ and the time when you are removing your last belongings so you can hand over the keys, is an unknown variable.

I don’t know where anything is

It happens to everyone, but it is especially hard to deal with when you have ME/CFS and daily brain fog: and now it’s far worse because some of the stuff in this house was put away by someone other than me, in a hurry, and without labeling either the box or the corresponding card in my card file. Or worse still, labeled as ‘miscellaneous.’ Aargh!

I located a few of the critical items in very odd places. Not sure I have everything I need, as distinct from the comforts, even yet.

And the dryer vent, taped by the painter, is loose – so I’m not sure I can do laundry (I’m living with the absolute minimum amount of clothes out).

Everything is to be kept tidy

And by ‘tidy’ we mean the way the staging ladies left it (a model home look), or restorable to that condition on short warning, when someone uses the system to ‘book an appointment.’ Aargh!

Meanwhile, we do have to be allowed to eat. Other Half and his good friend are down there trying to reconnect, safely, the gas to the stove.

But the forever home may be available soon

Don’t know exactly when, as they actually have to get everything they asked us for, and decide whether they want us. It is possible for them to reject us.

And it is possible for us to be legally required to leave our ex-home because it belongs to someone else after all these years, before we have a place to land.

It’s a first-world type problem – and I’m not whining – except complicated by my limitations. Residence Inn America for two months? We probably could survive. Rent or buy an RV? Ditto. I think.

So we’re adjusting.

Again.

And I’m marveling that I’m still standing – and taking a nap every chance I get so that I can be coherent for the next crisis event. Such as talking to the people at our brokerage (Vanguard) and being able to satisfy them that I’m me, so we could transfer money. By phone. Since the money has actually been received at the other end by the right people, I did it.

A bit nerve-wracking: you will be asked a series of questions, based on (?) publicly available information, and if you miss one, you’ll have to go the long route of being identified some other way. I’m still chuckling over one question about a boat we owned. And wondering where husband hid it all these years.

I love Vanguard. They get things done, and always have alternatives. I am currently furious at one of our banks for the way they made a decision (which led to the nerve-wracking phone ID). And at the other for the fraught way they handle wire transfers, as if you were a criminal actively trying to circumvent laws. Why is it that the people the laws are intended to protect always feel the brunt, while the people who should be caught and punished never even feel a thing? Being law-abiding is becoming more difficult every day.

There is a For Sale sign on my yard. After 37 years.

Life is interesting, but I’m finding the watershed point was signing those papers, and I’m strangely free.

That and the deposit wire-transfer going through on the same day is… unexpected.

Off to the Gray Havens.


 

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Boosting Jennie Spotila’s post on dancing

Little girl in bikini dancing on beach. Text: Dance. It's good for you. Alicia Butcher Ehrhardt

TODAY IS ME AWARENESS DAY

Jennie uses her inability to dance as a metaphor – the entire post (and her blog in general) is always worth reading.

This excerpt chilled me, because we’ve been TOLD, by the NIH (National Institutes for Health) and its director who has been ignoring us for decades, Dr. Francis Collins, that we’ve getting DOUBLE the research money this year that we had last year:

If you see ME, you are watching a disaster advancing before your eyes. It’s not a disaster because the powers that be are simply unaware of it; they know. And it’s not a disaster because ME is a difficult disease to unravel. After all, cancer is a difficult disease to unravel. What can we do about complicated problems? We invest the resources needed to solve them.

ME is an unsolved mystery because the biomedical research enterprise has consistently refused to invest the funding and expertise needed to figure it out.

NIH points out that it has nearly doubled its investment in ME research from 2016 to 2017. But even NIH has admitted that ME funding must be 10 to 20 times its current level. Compared to the need, NIH funding went from .04% of the need in 2016 to .07% of the need in 2017. In other words, double of practically nothing is still practically nothing.

DOUBLE OF NOTHING IS NOTHING. Remember that – it’s an old joke.

Please read her whole, excellent post.

Dancing is a human right

No one should stop you from moving except yourself (and we all had that desire to move as small children, so ask where it went, if it’s gone).

Moving freely in your body, with energy, is a human right (and we’d be attached to rocks if we didn’t have it). Except I can’t any more, and haven’t had that energy in a long time.

I gave my remaining love of dance to my character, Kary, in Pride’s Children, because I know what it is to dance for a short while in my kitchen – something I lost years ago to both the ME/CFS and my back problems – and miss daily.

The end of Chapter 16 in Pride’s Children: PURGATORY (Andrew comes back unexpectedly to pick up a script):

Dance excerpt 1, PC1, Chapter 16

Dance excerpt 2, PC1, Chapter 16

I kind of like this one.

I REALLY miss dancing.

Shall we dance?


Remember, my royalties for May go to the fight against ignorance and lack of research.


Thanks again to Stencil, for giving me the free image (the words are mine) of a little girl dancing on the beach. It was perfect.

A writer’s Patreon can be fun

Neon plastic dinosaur toys with text: A new venture, a writer's Patreon; Alicia Butcher Ehrhardt

FOR THE CHATTY WRITER!

I just finished another free public post in my new Patreon:

Workspace notes for Scene 21.2
https://www.patreon.com/posts/18317676
984 words

I’m using this Patreon as
1) a place to post the finished scenes in Book 2 (Pride’s Children: NETHERWORLD) as I create them – the first chapter of the book, Chapter 21 in the trilogy as I number continuously in case I ever get to put the whole thing in a single volume (tagged ‘Free public posts) is now posted in its entirety, a scene a post.
2) a place to talk about me, me, me: my writing process, my ideas, my scenes – for those with a burning desire to examine how I do what I do (still producing more ‘Free public posts’ for now).

Why? Because I need it; but more because my writing process produces 10 to 100 times more written material, per scene, than ever ends up in a scene, and that’s the kind of ‘reward’ Patreon recommends that writers produce for their patrons.

I’d love to see Ursula LeGuin’s work notes for The Left Hand of Darkness if they were available, so I’m enjoying producing a few of this kind of posts to see if they are attractive. My #1 patron loved the first one. We’ll see how her enthusiasm holds up.

And it got my brain going this morning to have something both specific, and not too hard (as it’s based purely on that background material I already produced) to get writing on.

Stop by and poke around the free stuff already there, and give me some feedback. Are you interested in having patrons?
https://www.patreon.com/alicia_butcher_ehrhardt

And for me, the question is: Will you be my patron?

I checked out many of the writing Patreons. It’s not an easy site to do searches, but patience was rewarded, and I looked at fifteen pages of them to see what other writers were doing, what they were offering as rewards, and where they were on their writing journeys.

For strict writers of fiction (short stories, novellas, novels), I noticed that many were looking for support while writing their first novel – with no previous material listed as proof that they could finish one.

It is continuous crowdfunding – so to keep patrons interested and coming back, the writer has to produce a lot of new material.

I’m among the more organized Patreons; it isn’t a requirement. I’m sure the pressures of keeping a subscription site going are considerable if you don’t have a lot of usable material already. There are a lot graphic artists doing things like webcomics and graphic novels. Alas, I lack the talent (or the interest to develop any I like) beyond producing at least a few more covers that scream ‘Alicia did it!’

When I get to that stage again, I might use this (if there is interest) to post not just the final cover, but some of the steps and the thinking. Again, if I’m doing the background writing anyway, some of my readers might enjoy watching the process.

Reward tiers, ie, cost to patrons

My lowest tier is for scenes, and the next lowest is for scenes + background posts. Patreon wouldn’t let me offer them for less than $1, but you are allowed to cap the number of payments you will make in a month (which won’t stop you from getting them, only from paying for more than one a month).

My intention is to post up to two scenes a month, and up to two additional background scenes a month (to give myself time and space to make them look good – and remove a few spoilers from my notes which were intended to be private or to overwhelm my biographer(s)).

Patrons will help shape what I put up for those Workspace posts.

There are rewards for the truly committed – I’ve priced them in consideration of how hard it will be for me to satisfy the requests, and warned some may bring my writing on that day to a halt (I can only use each energy spoonful once, and I get far fewer than normal humans get).

Patrons can stop patronizing (patroning?) at any time, and late joiners will have the advantage of getting more early posts for free – and the disadvantage of not having as many credits toward a copy of the book when it’s finished.

So it’s an easy thing to try out.

1) Read the public posts already there (click button in sidebar to take you there).

2) Decide if you want more.

Easy peasy.

Maybe I’ll see you there. Got questions? Wish I’d had someone to answer them when I started the Patreon, but even I managed it in a week or so.

 

Flexibility is worth working through pain

Setting sun behind woman leaping. What you give to keep yourself in shape? Alicia Butcherr EhrhardtIT IS HARD WORK TO STAY FLEXIBLE

To keep writing

Over this past week, while struggling with the chore of de-junking a house, divesting myself of decades worth of stuff, and getting my singing in, I have been physically exhausted (even though I direct the work, not do it).

The sleep I’ve been getting has been fractured, erratic, odd – and never deep enough.

So, the perfect time in life to take on another major task?

So, of course I did

As I mentioned in the previous post, I started a Patreon page for Pride’s Children; NETHERWORLD, Book 2 in the trilogy (see button on sidebar – I figured out how to have one with a link!!!).

Because, among other things, I realized that the moving tasks are ordinary. And while they need to be done, and every detail has to be supervised by me, and there has been a huge emotional content (you try capturing in a few scrapbooks about twenty years worth of homeschooling three kids!), it wasn’t hard, or tricky, or complicated, or complex, or even challenging.

Ordinary stuff. Every homeschooling family has tons of stuff to dispose of. Every family moving out of a long-time home has a lot of stuff.

But there is no great intelligence or problem-solving ability necessary; in fact, that gets in the way because methodical and utilitarian are the words that describe the process. Just do it. Make a decision: box it for the move, declare it object unnecessary, give it away.

What keeps your brain usable as you get older?

I’m convinced it is USING that brain, not letting it get fuzzy and lazy and go easy.

Starting a page on another platform for promoting your work – that’s complex and challenging. Patreon doesn’t make it particularly easy – I find a lot of applications which are developed for online and Windows use somehow seem to lack menus and a sitemap which works and guides that are more than basic – and I had to keep poking to find even rudimentary details. Such as which is the best way to get your money out (when you get any).

Inexplicably, for Direct Deposit via Stripe,  the payment page gave you a form to fill out which required banking information AND your Social Security number, but which didn’t mention fees.

And for Paypal, it listed some fees which could reduce your take.

Thus giving you the impression that even though Stripe usually costs money, the direct deposit part didn’t. Making it better than Paypal.

Stuff like that. (It’s not true, BTW. But you have to figure it out based on the amount being transferred, by going to the two payment methods’ sites and doing the mental work.)

Digging and logical thinking

It would be nice to have no fees to deposit your money earned into your bank account – Amazon does it, right? Amazon’s fees are probably included in their calculation of their cut – they just don’t break it out.

Doing this kind of mental work, hard, new, in a different and unintuitive (for me) format is worth doing – because it keeps me flexible – for the next thing that comes along.

I’ve found myself getting lackadaisical about learning tasks like how to control the network of TV and Netflix and Amazon video and Youtube – the spouse clicks thousands of times a night while organizing a couple of hours of something to watch. I let him do it, most of the time.

But watching TV is not my profession. Writing is. And I take it seriously for now, and as long as I can do it. And it changes continuously, but no one is going to make it easier for me.

So I charge in, do the work, maintain the flexibility to attempt and conquer the next challenge, and revel in the ability to still master the new.

It’s exhausting – and necessary.

And then there’s all the daily physical exercise

Which keeps the physical pain under some sort of rough control, so I neither take too much additional medication nor sit here in a haze of pain, unable to think.

But physical pain is boring. Not intellectually challenging.

So I’m not talking about it.

But I gotta get my mental ‘steps’ in, and push that to the limit.


Do you find yourself slacking off when there’s something new to be learned? Are you conscious that you’re passing up opportunities to keep the ol’ cerebrum functioning? Are you making an actual choice?


Don’t forget to visit the Patreon page  – the first chapter’s on me (pages are public), and you don’t even need to figure out how to create an account, and then have to close it. Feedback welcome, whether or not you will use the platform to read.


 

A memory of GUI Easter eggs

colorful blank cards, with three colored pencils, and the words: Where's an Easter egg when you need one? Alicia Butcher EhrhardtMEMORY TRIGGERS

HAPPY EASTER – to those who celebrate the holiday religiously, and HAPPY PASSOVER to my Jewish friends.

As a blogger, lately I am the most erratic of correspondents. I am simply overwhelmed by the enormous lists of things that keep getting added to daily, often by things that insist on queue-jumping, and being taken care of FIRST. Me, me, ME!

The passport dilemma

On Thursday evening my daughter casually mentioned that she had just received her renewed passport, because it expired this May, and the family has plans for a vacation in May. As I congratulated her on her foresight, for some unknown reason I said, “I’d better check mine,” even though it turns out we’re not leaving the country.

BUT airlines always want you to show them ‘government-issued photo ID’ before they let you on a plane, and I have only two forms of that, my driver’s license and my passport.

So I checked – and, it turned out, we had BOTH applied for our passports together, ten years ago when she was 16, and mine was expiring in May, TOO. Funny how that works.

So panic set in, because the process takes 4-6 weeks FROM THE TIME THEY RECEIVE YOUR APPLICATION. Yeah, I can count. Late May is barely days after those 6 weeks IF I get myself in gear and get that application in FRIDAY.

Those who know me also know that leaving the house is a big deal, because of all the spoon-using steps it requires: Getting the brain on. Taking a nap. Getting dressed. Filling out paperwork on the web on the government website (’nuff said). Getting a photograph of the appropriate quality (thanks CVS). Getting a Priority Mail envelope ready from among my office supplies. Remembering to take the stapler to attach the photo. Driving to two different places.

These are steps healthy normal people take without a second thought, adding it to their list of errands for the day. For me, this is Hannibal over the Alps.

All accomplished. Home. Damp the adrenaline. Stare at the wall for the rest of the day.

The driver’s license.

The next day, Saturday, the husband brings up the form which the State of New Jersey, in its infinite wisdom, seeking to remove the people who MISUSE handicapped license plates and placards from their lists, forces the people who really need them to do MORE PAPERWORK, including getting a doctor certification.

I need this. I look up the paperwork, and navigate a DIFFERENT government site, start up the form, and get to the place where it wants to know when my driver’s license expires. This is not information I carry in my head, since I’ve been renewing by mail for years, so I look at the thing, realize it is expiring this very last day of March 2018. Aargh!

It is almost a comical repeat of the PREVIOUS day’s excursion (I normally try to leave the house no more than once or twice a week, and reserve one for singing at church. This is Easter week.)

It turn out the spouse (who does the paperwork since he retired) has been meaning to get to this. We BOTH have licenses that expire this very day. Oh, joy!

I’ll spare you the details, except that they include getting documents out of the safe to satisfy the state of NJ that we actually exist and live where we say we do (to be safe I bring every document we have), we scramble to get there after I figure out that, even though the DMV in NJ is CLOSED on Good Friday, it is actually open on the Saturday between Good Friday and Easter Sunday (go figure), and we have until 1PM. Sort of.

I frantically try to find something that proves the DMV office is OPEN, and hit on the little camera they have for the inspection lines! Which has a time stamp of NOW, and shows cars in line. They’re open!

We get there.

The line snakes out of the building and halfway down the block.

Thank God – and all those who fought for them – there are handicapped parking spots right by the door, so I can sit in the car while the husband stands in line, and finish filling out the paperwork, and get everything ready for inside, so as not to hold up the process.

A kind official, seeing me sitting in my walker, moves us ahead a few spaces.

We are out of there with brand new licenses, good for four years (we’re probably moving to a different state THIS year), and a whole host of papers to put back in the safe. But I don’t have to drive to church on Easter weekend with an expired license, and all I have to do is make sure the insurance cards – which have been sitting in the Master’s piles since DECEMBER – get into the cars before we drive to church.

And the Easter egg of the title?

I remember the first time I saw an Apple II something with a graphical user interface – and a mouse! – in the Apple store in the Princeton Shopping Center while trying to help a writer friend of my grandparents (Aaron ‘Rod’ Marc Stein, author of 115 novels) choose his FIRST computer.

It was as if I had found my soulmate. I gently ignored the salesperson (who was having a hard time explaining everything), and used MacPaint on the demo computer, with the mouse letting me size an oval, and add jagged and wavy lines across the oval to separate into sections, sections which I filled with the patterns available, to create a quite decent EASTER EGG. I can still feel the rush!

I wanted to find an Easter egg picture at Stencil.com, but inexplicably for this time of year, couldn’t among the free images for the month.

You’ll have to use your imagination. I seem to have lost MacPaint somewhere in the past many Mac years. Created in an instant by a novice, it was a thing of beauty.

I will be dead meat tomorrow.

So be it. We’re singing for the 4:30 Easter Mass at the Princeton U. chapel, and I wasn’t able to drive in for Holy Thursday, Good Friday, or the Easter Vigil last night (have to be in semi-decent shape to sing, and can’t do nights any more), and I’m not about to miss today. So off to First Nap, then lunch, then Second Nap, and the husband is driving, which will save energy.

Tomorrow (and the rest of today) I will be useless, but that’s my life.

Too bad we have to pick a vacation hotel asap.

Have a wonderful day. Pray for me. And how was YOUR Easter and Passover?

The house where Pride’s Children was written

AND IT WON’T BE MINE ANY MORE

If God gives me life and brain, I will finish my epic love story, Pride’s Children, in a couple of years.

Sometimes place is important. One thinks of the Brontës writing in the rectory on the moors, and wonders if it was a cold and dismal place, or a warm and cheery one. Did they have one room they kept cozy and tended to congregate in? I could find some of my answers if I took the time to look.

Sometimes I think that Kary’s house, Sanctuary, is more real than my own. I have put more thought into how it should be.

We have lived in this house, only the second one we’ve ever owned, since March 5, 1981, which is a very long time in these moving times. We have been its only owners.

My children have known no other childhood home.

As I have become more home-bound, I have spent almost all my life in the south bedroom, with a window that opens to a quiet court ended by a cul-de-sac, where the kids all rode their tricycles and bicycles and drew in chalk on the pavement.

I insisted on this house – because the neighborhood had – and has – mature trees everywhere I look. With so many developments built on cornfields, and so many owners who don’t bother to plant a tree when they move in, the new developments have a raw look to them.

I dislike the American house which often shows its concrete foundation, stained by water and rust, like a dirty petticoat peeking out from under a lady’s skirt, long after it is built. As if we should all politely ignore all underwear hanging out. Bushes are planted – which never cover that bottom foot of dirty grey.

Ours has bushes to the ground.

Abandoning a home deliberately is something new for me. I love this one in some way, for its memories, but I’m still here, and the memories are all I have. Already. I don’t want to go start clearing the debris of the winter so the bulbs can come out – I’ve done that too many times; now it’s accompanied by the pain of sitting low, and the sleepless nights that come with the pain.

The kids come very rarely, and are not into dance lessons and Scouts any more, so there is nothing for them to do. They often take the train to NY, and spend the day having fun. Without me. One wanders up to Princeton for a good walk and a bunch of Pokemon Go sites. Without me. Or walks to a local park, ditto.

I face the stairs every day. Sometimes I have to go up in an undignified way. I don’t understand why that doesn’t bother other people a whole lot more than it does. If it were them, and me watching, I would have gotten us out of here years ago. No, I have no desire to stay here – with my sewing machine sitting unused in the little attic closet I turned into a sewing room. Because I have no reason to sew. No costume for Halloween, no dress for a prom. My own clothes, which I started making when I was 14, now come in the mail.

I want to make a new home

While I still can. While I can adjust to a new community. While I can meet new people and do new things with enjoyment.

I don’t even want most of our furniture. The dining room table takes a beating when you’re homeschooling three kids at it. Much of the kid furniture was IKEA, assembled on the spot and not really capable of being disassembled successfully. The nice bedroom set, with the light bridge, is too big. The solid oak kitchen table, carefully hand-finished, and in perfect shape, is too big. Somehow or other, over the last two years, it seems every dining room chair needs re-caning and refinishing (I TOLD them not to lean so hard), and the wheels on the kitchen chairs we’ve enjoyed rolling around are destroying both the chairs and the floor.

This house needs a healthy woman in charge. And people who like to do things at the workbench in the basement. I’m not that woman: I did my time.

But somewhere I need to leave a plaque:

In this house, between 2000 and 2018, Pride’s Children was written.

The beginning of it, anyway, because NETHERWORLD won’t be finished here.

There are places I could leave such a plaque, places I know, places behind – where a new owner won’t even know there is a place.

The written record

If you’re a writer, and have a thought – a blog is the perfect home to let it run free. Who knows – some day you may gather your thoughts in words, clean them up and organize them about a theme, and publish them.

I look at this blog, with over five hundred posts since I started in 2012, and I know some of those posts would make a different kind of book on writing, and others would document the production of my own epic – and marvel that the format allows them to still be there when I’ve moved on. I really ought to go see what is there. Might make for some interesting archaeology.

I’m finishing this at six a.m. because the ice dancing at the Olympics put an earworm into my brain, and then I got hungry… You know the drill. It’s a good time for humans to get nostalgic.

How think ye?


Thanks again for Stencil‘s images – consider them if you need a source of them for your own blog. The pictures make me think, and then we’re off on another wandering trail through the writer’s brain.

New review post on Pride’s Children site

NO RESPECTER OF PERSONS

If you’ve wondered where I’ve been, part of is these last two weeks has been entertaining a guest: Mr. FLU.

And yes, I did get the flu shot back in October (I always get one), and every year as far back as I remember; possibly that’s why the worst effects lasted about a week.

But getting over the whole thing is no picnic. I am on tissues with extra softness – by necessity. I can’t wait for my heart rate, which went up to 100 bpm and stayed there for days during the worst part (normally, for me, around 60-66) is driving me crazy because it is still hanging up there at almost 80. It’s exhausting in itself.

Life and my Universes

Also had lovely houseguests.

And today, by dint of I don’t know what force, I finished a scene I started, according to my notes, on Jan. 21. Way too long, but had only sketchy notes as to what absolutely had to go in it, no rough draft for this one, and no brain. I swear it feels no different, finished, than the ones I have more to go on than a title and several Dramatica appreciations. I even listened to it in the robot voice, and can pronounce myself satisfied (if I ever get there).

New post (with cookies) – thanks, Stencil.

New post at Pride’s Children with a lovely new review that has lifted my spirits.

Said spirits have been on a rollercoaster ride; still trying to figure out how to post about the stress load I’m carrying – and will be until we’ve moved.

Be well.

The Discipline of the Long-Distance Writer

SITTING HERE – RESTARTING MY BRAIN

I am NOT a sports fan, but Philadelphia is around the corner, and I’m pretty sure they put a great amount of very hard work into preparing for their win. As did the other team – so there is that elusive luck quantity about peaking at the right time, and having everything work out when you need it.

BUT: it is not luck that wins most times. It is luck on top of preparation. Most ‘overnight successes’ aren’t. And if you have the great win right out of the starting gate, you still have to do it again – witness the number of debut award-winning novels whose authors can’t repeat the win. And are never heard from again (unless they whine about how hard it is in the pages of The New Yorker.

Everything about Cary Tennis’ aphorism:

The most heroic thing a creative person can do is to live an orderly life so the work can get done.

is true. I don’t get anywhere without hours at the keyboard.

I’m acutely aware that, because I start at such a low level every day, a little thing like the cold that is messing with my mind is enough to render me useless to my chosen profession for both the days when I’m actually sick, and the aftermath days when I wonder where the Mack truck came from, because everything aches.

It’s not the pain that bothers me – lots of people live in pain. It’s that after a certain amount, I can’t think. And I’m way over that amount right now, sitting at my computer trying to think.

Priorities

When you have choices, at least some of the responsibility for what gets done in your life is yours. If you choose to go to the gym regularly, your body may be stronger and more reliable. If you could, but you don’t, the deterioration or lack of strength is partly your fault.

I have to get back to my basement exercises as soon as I can breathe normally, so I don’t get worse.

One thing at a time!

Use what you have in your writing

I was wondering where that extra edge of tension would come from in the scene I’m writing, and it occurred to me that I’m living it.

A common phenomenon for people who live with ME/CFS is the PEM crash. PEM – post-exertional malaise – is another one of those phrases which minimize a real disaster. PEM is really post-exertional exhaustion – a crash that can last for days after you do something more than you could really handle at the time. A crash that is made worse by trying to do things before you’re past it. A crash that is created, somehow, by taking energy out of your muscles with adrenaline.

I don’t know if it’s the adrenaline itself, being very slowly processed by a damaged liver, or if something else in the fragile body system is triggered by the push that precedes the crash. There is no known cure, though fluids, proper nutrition, and LOTS of rest can help.

It is another of those realities which cannot be ignored.

We’re watching the Olympics, and hearing about the athletes pushing through their pain and damage. And about permanent damage that can end an athlete’s career. Sometimes, they can work through the pain; sometimes, if they do the hard rehab work, they can improve their performance. Sometimes they try to ignore it; sometimes that works, or works long enough for them to achieve the next milestone. Hard to know whether they can take the chance – and win in spite of an injury – or whether, this time, it doesn’t matter how much pain they can tolerate in a broken foot, because they still can’t use it right.

I always come back

So far. Eventually.

But I’ve both speeded up (due to experience and practice) and slowed down (due to having been ill longer, and, that favorite of everyone, getting older).

I’ve reached an odd-enough spot that I want to document it, to see how to improve process, if possible, or to just move it along this time.

The immediate projects are competing fiercely

And they are getting done – albeit at a speed that would make a tortoise cry: my parents’ final tax returns (VERY long story) have been in the mail long enough that it’s the IRS’ problem, not mine. Yay! But talk about soul-sucking, useless tasks that teach you nothing you can use in the future.

I have a couple of small typos/errors I want to fix – but will have to re-load all the information about making files for Amazon and CreateSpace into my head, and then learn the new task: how to post a change in a published work. Good to know, not so easy to acquire; I’ll have to take notes, too, or I will forget.

I’m putting off working on putting Too Late, the Pride’s Children prequel, up on Amazon because it is TOO SHORT, and I fear a backlash. From whom? Dunno. But my fertile mind throws up roadblocks whenever it can find them. It would throw up roadblocks if I decided to STOP WRITING and just ENJOY OLD AGE. So it’s no reason to stop.

On the record: I am now more afraid of doing a short story wrong on Amazon and forever ruining my reputation than I am of having gotten my parents’ tax returns wrong and being jailed by the IRS for tax evasion. Easier to laugh at that once I’ve pinned it to a blog post.

The long-term move is back on the horizon

We have to get out of this house. Not because it isn’t lovely here – it is – but because the maintenance is something I can’t help with any more, and it is unreasonable to let the husband do it all, and difficult to find people consistently to do it for you. Plus the complete social isolation of rarely getting out of this room.

But now, following the last days of all four of our parents over the past three years, we have a whole lot more questions to ask and details to worry about that we hadn’t even realized – and won’t be in a position to control at whatever age they happen, because you are not all that functional at that time of life. Way too many things went wrong. Things like nurses in the hospital who won’t make the effort to make sure their patient can HEAR them. Things like ‘hospice’ – a lovely idea from the 70s – having been turned into another Medicare supplier which is farmed out to the lowest bidder, and has failed, dramatically, when most needed. They don’t even have hospices any more – just services dependent on funding and staffing. Once would have been bad luck. Twice is systematic.

So the thought of moving near where at least one of our children might locate permanently (San Francisco), rather than generally to California and taking care of ourselves, has reared its ugly head to mess up the choices. But most people don’t move out of a retirement community once they’re in (except when they can’t pay for it), so choices made now are crucial for the future. When we won’t be in a position to make them for ourselves.

This is what I do when I feel a tiny bit better

I hope being able to think a few things out, and blog about it however lamely, means the cold is on its way out. I’ll still be a dishrag for a couple of days, but the drive to write SOMETHING, and to try to make it coherent, first comes back when I realize I haven’t posted in a while.

And if I can use that idea in the scene in progress, well, I won’t say it’s been worth it, precisely, but I may be able to profit from it anyway.

And here we go. And there’s another bunch of semi-connected thoughts out of the mind and onto the page.

And I’m more terrified than ever of getting the flu!

How’s your winter going?

The Greatest Generation is now gone

AND, UNTIL IT’S YOUR TURN, LIVE

At the beginning of 2014, my children had four living grandparents 90 or over.

As of last week, they have none. Husband’s dad, a good man, at 97, the last of our beloved parents, now knows if there is an afterlife or not. Our parents are missed, and there is nothing anyone can do about it except remember them.

It is sobering to think about now being the matriarch and patriarch of anything: husband and I are both eldest children. My parents did that so well for so long, and I can still remember my grandparents in Mexico doing the same thing. And I am not capable of doing any of what they did, keeping the family together by having everyone over for dinner on Sundays or Mondays, holidays and birthdays. I have been the beneficiary, and can’t pass it on. Our kids are currently in San Francisco, Boulder, and Troy, NY.

I have so many stories, and I have passed them on (ask my kids – I’ve talked their ears off), but I have not the energy to write many of them, not while I’m still writing fiction myself: there are only so many hours in a day I can use, and stories are best transmitted in person.

Making new traditions

I have come up with the idea of us going to a resort once a year, all of us. Not at Christmas or Thanksgiving, but at a convenient time. We can see each other every day, spend time with slow Mom on the beach or in the pool, and then those who can will take advantage of whatever the resort and local area have to offer, and maybe gather for dinner. For that talking part. A way to bring together someone with no energy and descendants with it in abundance. As long as the old folk can travel.

This way, I reason, they can go to the in-laws (when they have them) for holidays without trying to be in two places at once.

We’ll see if it works out; but we can’t maintain the family homestead, an awkward but much loved house with way too much space and maintenance, and too many stairs, just so the small clan can gather at a time when travel is horrible and in a place (suburban central NJ) where you have to go elsewhere to do anything. I have failed the task of ‘everyone is going to Grandma’s house.’

So be it.

At home in Mexico, a gigantic extended family still gathers – but we don’t go.

Now to focus on the two of us

I have to make my tiny daily allotment of energy cover getting out from under the responsibilities, which are becoming overwhelming (mostly for husband), and out of the social isolation which comes from having little energy to go anywhere.

Selling a house and moving, possibly cross-country, and settling in to a retirement community, is non-trivial, but it is only going to get harder. Most people leave it too long, and move in a crisis. I need things I can’t walk to here: a pool, a gym, facilities like a sound studio – and many of the Continuing Care Retirement Communities (CCRCs) have them. We need to find friends – ours here are moving away, or are no longer with us.

And I am aware of how delicate my ability to write is: everything that has come along has stolen days worth of writing because it needed that focus and clarity I can only achieve for a couple of hours a day at most.

The last of the big brain-sucking tasks,

finishing the tax returns for my parents, who were both American citizens even though they lived in Mexico since 1957 (and Pepita when she was a child), was finished yesterday. Daddy’s went with the postman.

I gritted my teeth and filled out Mother’s immediately following, aware that if I set the second task down I would have to learn from scratch all the tasks and arcane instructions – when I could force myself to do it again some time in the future. It was such a huge task (for me – not for a normal human), and consumed so many hours since June 2016 when my sisters gave up and asked me to do it, that I despaired of ever finishing. Mother’s is sitting in a sealed envelope for the postman today.

Each return was four simple pages. Above the surface there is no evidence of the frantic paddling below that reading and filing take, IRS worksheets and arcane bits from processes intended to make it hard for the very rich to take everything with them (ie, hand it over to their rich heirs). To finally end up at the same point for each detour: $0.00 – insert in box X of form 1040.

And on the bottom line: no tax owed. Which is good, because, IIRC, IRS penalties for filing late are some percentage of the tax owed.

I made every mistake possible during my filing of this twice-in-a-lifetime (mine) paperwork, including, yesterday, deleting the just completed return by writing the IRS instructions over it. Don’t tell me I should have let a tax accountant do it. Just believe me that it would have been far worse, and on someone else’s brisk timetable (the horror!).

I can do this stuff: but it takes days’ and days’ worth of all the energy I have.

And I learn nothing that I can use again. I fervently hope.

I’m a writer now, and still working

I plan to finish Pride’s Children, Books 2 and 3. Several nice people have claimed they’re waiting for the rest of the trilogy. As long as life and brain hold out, that’s the plan, and I’m very aware it doesn’t depend on my intentions. I hope God isn’t laughing too hard.

With the latest marvelous review, I have made some new connections on Goodreads, and possibly learned some useful marketing tips.

I despair at where the energy will have to come from to do a better marketing job, but obscurity is the other option, and I’m not happy with that, either.

When I do settle in to the writing, though, the deep pleasure is still there; my beta reader is content and says I haven’t lost it; and I still experience that moment, for each scene, when it all clicks and I know: that’s the way it really happened.

Given that Olympic skiing is off my list of possibilities, I’m glad I have the writing one for the story only I can finish.

There is so much yet to learn

A huge part of life is doing the best I can so that, if they every figure out ME/CFS, and it isn’t too late for me, I will be able to take advantage of the medical research, and maybe write faster. Or go skiing again.

My support group on Facebook has other people like me, and invaluable sustenance (as well as overwhelming loss). We CFS folk have little hope, but losing it all hasn’t happened for me yet.

If I did, I have no idea what I’d do all day.

But we are the oldest generation now, husband and I, and we don’t give up. Yet.

That’s why I’ve been missing from the blogging world. Hope you’ve all been okay.

What do you do with infuriating reviews?

NOTHING

I won’t even defend the grammatical correctness of that statement in the picture: EVERYBODY has an opinion, most of them WRONG.

WRITERS put their opinions out into the world where anyone can read them.

Readers have opinions, too, and they get to express them in many places, one of which is the very modern REVIEW.

This is the system now, people.

Get used to it.

For all the complaints, the reviewing systems are not going to disappear because they have enfranchised the disenfranchised billions who never had a platform before, and now they do.

Moderators may keep the discussion to civil levels.

Insecure bloggers will delete or alter comments they don’t like from opinionated readers who disagree with them.

But I’m finding that I don’t spend much time reading the word of bloggers who don’t ever bother responding to their interlocutors. Not worth it. It has become a two-way street.

[Sort of. The pitifully awkward communication via mobile may be the ONE thing that destroys the system, because it is much harder to do on those tiny keyboards. But wait for good speech-to-text software and microphones that can pick up the speakers subvocalisations, and we may be back in business.]

Everyone’s a critic.

Today a writer whined about her first 1* review, on an FB group I participate in – after writing a bunch of books! Lucky woman. Most of us get a 1* on the first book!

I could tell you stories. In fact, I will. Below. Because one of those reviewers (not the 1* one this time, but bad enough) got MY goat. [Lovely thing, name of Billy, soft, intelligent, beautiful brown eyes… but I digress.]

Writers are asking for it

Literally. We want reviews. We want feedback. We want to know when our arrow has hit their bullseye.

But we don’t want their bullshite.

We want praise. Glorious and unstinting and erudite and literate (not the same thing) praise.

Because, to be able to write well (assuming that’s what the goal is; with some writers you wonder… but I digress), we have to sit at the keyboard and open all our veins to get enough blood to write with (takes lots of extra blood for all those sidetracks and failed attempts that occur with good writing… but I digress).

And being open is a target for, well, bullies. (Anyone who doesn’t like our prose is… darn it with the digressions today.)

Unconscious bullies. Jealous bullies. Bullies-who-had-a-bad-day.

What to do?

NOTHING.

Nothing overt or aimed at readers or argumentative or likely to start a flame war online!

There is enough garbage on the internet already.

And we have the example of very popular writers: pick your favorite, and your favorite book, and go look at the reviews. All of them. ESPECIALLY the negative reviews.

And remember, on AMAZON a 3* review is NEGATIVE/CRITICAL. Don’t believe me? Check those reviews on your favorite book’s page again: the 3*, 2*, and 1* are CRITICAL/NEGATIVE reviews.

On Goodreads, 3* is good, 4* is great, 5* is ‘best book I ever read.’ According to their rubric (I don’t make these things up – what’s the point when you can check so easily?).

On Amazon, 4* and 5* are good, 1*, 2*, and 3* are bad. Just to summarize that neatly for you.

Got it?

Find a place where it’s safe to vent (your own blog should be such a place, even though it’s pretty public, as long as you don’t identify anyone specific or any specific negative/critical review). Better still, complain only to friends and on closed writers’ groups, but it may not be as satisfying.

The upside?

Another review is another review. They keep adding up. SOMEONE is reading.

And reader/reviewers write their thoughts and opinions in their reviews; other people may read the reviews and gain more understanding of what they may be choosing to read. This is good, especially with the negative reviews.

But it ALWAYS points out to you that your ad copy, cover, description, back copy, quoted editorial reviews – everything up until the sample/Look Inside – is attracting certain readers. This should make you pause and THINK.

I know I have a lot of thinking to do (I knew that already, but it was far down on the To Do list, and has moved up quite a bit) when I get a negative review from someone who probably should not have read the book. Because it’s really not their kind of book – and I can’t change it to BE their kind of book. The story’s already set in concrete, all the way to the end of the trilogy, even the parts I haven’t written yet. The style, tone, characters, plot – all implacably going to be very similar to what is already published.

If someone states unambiguously they don’t like Mexican food, don’t give them a coupon and invite them to rate your Mexican restaurant. ‘Twill end badly on Yelp.

So our signals are crossed.

I’m glad they tried something obviously out of their regular reading zone. I’m very appreciative of their reviewing – most readers don’t, and it is an effort I appreciate. I’m not particularly pleased they rated the way they did, but I’m very glad they pointed out in their review what they liked and what they didn’t. That’s data for me, not for writing, but for marketing.

Not sure this counts as a rant, but it is an attempt to bang my head on the wall. Without doing too much damage – I’m slow enough already.

As an author, I do not go to my reviews and down rate the reviews I don’t like. It’s better if readers do that.

Now I’m going to take a nap. All this ranting wipes me out. Especially the ‘tread lightly’ part.


A reminder that Quozio and Stencil provide me ways to make images, gratis, and I would get a subscription if I needed more than a few graphics a month. This little bit of advertising – and the things I create with their tools – will have to be my form of payment for now. I AM grateful. The words, of course, are mine.


What’s your favorite negative review?

The pain of discovering typos in published work

ONLY GOD HAS NO TYPOS

Pride goeth before a fall

I know that. I expected that. And my typo rate was, I thought, rather low, especially considering that I ended up being, for reasons too long to go into, my own proofreader.

And I worked my tail off at it. It’s very hard to be critical of your own work. So? It’s part of the job.

Now, I have found egregious (well, to me) typos in traditionally published books – one major book on writing that I use almost daily has ‘principal’ (main, or the guy who is in charge of a school) instead of ‘principle’ (fundamental truth or morally correct behavior) not once, but twice – so the author got it wrong and the proofreader failed to correct it; or a proofreader got it wrong, changed it, and the author didn’t catch the incorrect correction. Or they both have no idea they don’t know.

I earmarked the place, and occasionally toy with the idea of sending a note to the author (which I don’t do – not my circus, not my monkeys). For future editions, you see. Because it is the kind of book that gets future editions.

But it amuses me to know it’s there. And I still love the book.

Proud of having low error rate, until…

I had found ONE wrong word, ONE extra ‘s’ at the end of a word, and a couple of places where, when doing the final formatting pass through MS Word (to get widow and orphan control, running headers and footers, and right margin indents for the print version of Pride’s Children), WORD inserted some stupidities (specifically, leaving –” as the only thing at the beginning of a line, 5 or 6 times) after I published.

They’re on my list of things to correct on the CreateSpace file (yeah, it’s on the to do list, somewhere in the 9000s). No one who reviewed has commented on those tiny typos, so they’re not all that significant in the flow (or my readers are being kind).

And all but the first two are not present in the ebook, which didn’t go through Word.

Acceptable. Imperfect, but not too much.

Possibly because my youngest daughter mentioned it (she finally read the book!!!), I was a little more attuned to a particular possibility when I was sitting in the doctor’s office yesterday, reading my own book.

And then, wham! I saw it. I’m not even sure if it’s the same thing my daughter mentioned (though it may be), and I now know exactly what I did, and it really doesn’t affect the story that much.

But I am now aware of a FLAW that I, as a perfectionist, can’t let stand.

Easy to fix?

Can’t let it stand.

You know me.

I moved the idea of putting an errata page on prideschildren.com up on the list – so those lovely people who purchase the first book in the trilogy in paper can correct their own copies (not that many readers, but still…), possibly now aware that they have the coveted First Edition – flaws and all.

Or I can slink away, offering (consider yourselves offered to, if you are one of these wonderful people) a corrected copy as soon as I can make them, and being aware that they were either too kind to point this out to me, or, better, too engrossed in the story to even notice.

The ebook will be corrected (again, asap – not a fast possibility, either), so that anyone who downloads it again will automatically get the corrections. If they care. Because this new little typo is in both versions. [hangs head]

The good side

There’s ALWAYS a good side.

I caught it (before I had a chance to look up my daughter’s questioning whether I had it right). From reading it myself in a relaxed way, with nothing else to read. Rather than from it being scornfully pointed out by a reader. Rather less painful – or is it?

Because I’m indie and self-published, it is both my responsibility and my right to fix it (so I don’t have principal for principle for all eternity of this print run).

CreateSpace and Amazon make it easy to fix (haven’t done it yet, so that’s ‘easy in principle’ for now): I upload the corrected files (I believe), wait, and within a couple of days, I can hold my head up in public again.

I have added (mentally – that darn To Do list is so darn long) a few things to the ‘look out for’ list for my AutoCrit editing passes. Especially since my brain appears to be losing its mind, I will now examine every single ‘s in each scene because the world not understanding that plurals don’t have apostrophes is its problem, not mine. I will speak sternly to the brain, and it will whine that it’s so overburdened already, and I will remind it that I’m in charge.

Etc. I.e., I will improve my skills based on this little irritating contretemps.

And because I’m indie, I don’t have to deal with a proofreader about the whole thing.

So why am I making a big deal of this?

Because professional means that you worry about these details, and that you try to make the next one have fewer (not less) errors.

It’s good for me to see where improvement is necessary (believe me, there is a whole new process in place so this particular little error won’t recur).

And it actually bolsters my belief that self-editing, and learning from your self-editing how to be a better writer is critical.

I stand behind my own work, even in the tiny places.

For the future

It’s okay to point typos out to me if you notice them. I just got a wonderful email back after my beta reader read – and liked – the next chapter. I strive to send her finished work. And her wonderful nitpickiness tells me what she likes, asks questions which lead often to some wonderful back-and-forth, and always mentions the little things. She found two. I love her for that.

It also reinforces that doing the beta reading one chapter at a time has some significant advantages for me: a chapter is a reasonable size chunk of writing to deal with at a time. Things get noticed.

And I can’t see how this would possibly work with a traditional publisher, the timing, and the diffusing of responsibility. All while the writer is supposed to be writing the next book. Not for me, anyway.

So there it is. And no, you won’t find out from me what I did wrong (at least not until the Errata page comes out). If you didn’t notice, I’m not going to be the one to point it out. Nope.

Welcome to the wonderful world of independent writing. PLEASE feel free to contribute your own stories.


Thanks to Stencil and Quozio, my go to places for images. I’m resonsible for the silly words that appear in them.

How to self-edit fiction with AutoCrit

CAN A WRITER SELF-EDIT SUCCESSFULLY FOR PUBLICATION?

I keep getting into online discussions with editors (cui bono?) who insist that no writer of fiction can or should self-edit. Not for publication, they say. And they cite the example of so many self-published books which are full of typos and grammar mistakes and spelling errors as proof.

Yes, there are many self-published books which need better editing. According to Sturgeon’s Law (Theodore Sturgeon, 1918-1985, American SF author and critic):

90% of SF is crap, but then 90% of everything is crap.

My paraphrase, but it will serve. It is now being applied particularly to self-published work, but applies to traditionally-published work as well. We can argue about the percentages, but the point is that much work gets published without meeting someone’s standards.

Some of us care. A lot.

I happen to believe that the best gift an author can give herself is to learn to self-edit well enough for publication.

The reason is simple: If you can learn to produce quality work all by yourself, the READER gets the unvarnished best the writer can produce, UNALTERED by someone else.

Voice unaltered. Tone unaltered. Style unaltered. Judgment unaltered. Story unaltered.

The thing which makes a particular writer unique is preserved for the delectation of the reader. Artisanal. As all writing should be.

And it only comes from really being aware of what you write – and why.

Okay. Now that we have the WHY, let’s have the HOW:

Think of the best quality in published traditional work. You should aspire to better that standard.

This is not an easy task. There is learning. And failing. And getting appropriate feedback. And yes, making mistakes in judgment and execution.

But setting yourself a rigorous process, adding to that process as you learn, and following that process isn’t that hard. It just requires becoming aware of the difference between the story in your head, and the story on the page, and not quitting until the difference is as small as you can humanly make it. We call this ‘work.’ Hard work. I have made a contract with my readers that I will do this work before they get to read what I write.

It is work that is rewarded by making you a better writer. Big reward. Useful reward. And, in the long run, it will save you money, frustration, and dealing with people who don’t get your vision for your own work.

Enter the final mechanical stage.

Once I have used everything I have learned about writing from my teachers, books by Sol Stein, Donald Maass, Blake Snyder, the Dramatica team, and all the reference books off- and online, I have a scene or a chapter which needs to be cleansed of dead skin.

It isn’t ready for the beta reader until it is finished, but my ‘finished’ needs the final mechanical stage. I use AutoCrit for this purpose. As close as I can get to the original AutoCrit program which is basically a counter of terms and a comparer of those terms against a database. There is a new version; I’ve learned to ignore the new parts because the last thing in the world I would pay attention to is a program telling me what to write. Writing is my job.

I want the mechanical editor to tell me what I’ve done, in a very black-and-white way. I want it to count for me, because counting adverbs is the most boring thing I can think to do by human. Or counting the number of times a four-word phrase (each possible four-word phrase in my text) is used. Or counting the number of times I have used words or phrases (and showing me where they are). And making a list of unusual words.

For this I use certain specific sections of AutoCrit.

After pasting the text in, I visit the following menu items:

Strong Writing: Adverbs, Cliches, Redundancies, and Unnecessary Filler Words.

Word Choice: Generic Descriptions, and Personal Words and Phrases.

Repetition: Repeated Uncommon Words, Word Frequency, and Phrase Frequency.

For all of the above, I ignore the program’s nagging (such as ‘Remove about 3’ when it somehow decides that I have too many occurrences of ‘that’), because for me, AutoCrit is only an automated counter doing the dirty work for me because I’m too lazy to do it myself (and know that humans given mechanical tasks make huge mistakes because they get BORED).

I do NOT use other sections. Why? Because they judge me. Or someone wrote a little piece of text to put there that sounds just like it. Once we go from comparing the number of times I use ‘that’ to the average for fiction in their database, I have all the information I want from an algorithm.

Pièce de résistance: how to use the information.

This is the writer’s job: every single counted detail from my text, generated easily by a program, is now subject to the final test: Is this the way I want it?

In other words, it’s back to me. Not with suggested ‘improvements.’ Just counted, and displayed for me to decide if it serves my final intent to have the text stay the way I wrote it (remember, I considered it pretty much finished before I tossed it into AutoCrit).

If it shows me clichés from its database that I have used, I have to decide if the character using the cliches uses cliches. Some do, some don’t. Clichés are neither good nor bad. For some characters I will keep the cliché but try to make the sentiment unique again – which leads to some pretty interesting substitutions from that subconscious brain.

If it shows me I have used one of my personal words a certain number of times (my worst lately tends to be ‘get’ and its variations ‘got’ and ‘getting’ and ‘gotten’ – all of which I’ve input to my personal words file in AC), I will decide 1) if there are too many, 2) if they are the only way to say something (rare), 3) if they have a literary intention (parallel structure often leads to word repetition the database can’t account for),…

Generic Descriptions usually have to be separated into two piles: those in dialogue (and even those benefit by tweaking) which mark a specific character; and those in the internal monologue where I dump what other people use a narrator for (It was a dark and stormy…), ie, description. I may have a very good reason (really) for using the generic description, but it doesn’t hurt to be reminded to check.

I never, ever, use AC’s Homonyms tab, because it is excessive, and I can spell, and have NEVER yet found myself using the wrong homonym. Okay, maybe two or three times in the 3.5 MILLION words I’ve put through AC, but NOT by using the Homonyms tab. Too much stuff to process – there are a lot of homonyms in English, and they will find all of them and offer what seems like every other word in a red box. There must be a better way to do that mechanically (don’t mark every ‘you’ because it might be ‘ewe’); meanwhile, I put those words I might misspell by accident into my Personal Words file (though, thought, through, thorough).

Summary

First, examine every single kind of counted word or phrase that you might not otherwise catch, and

Last, decide whether and how to fix it: you’re the author – it’s your baby.

Very simple.

It still takes time, and a lot of effort, and a lot of thinking, and going back and forth to Scrivener with the text of a scene.

I find I can do about 5-10 corrections at a time, after which I save the results in Scrivener, get a fresh copy of the text, paste it into AC, and re-process that tab/menu/submenu.

All other types of errors – spelling, punctuation, point of view consistency, chronology and plotting, content (was this character a red-head?) – should have been eliminated (by me, the spellchecker, and a dictionary/thesaurus) before I use AC.

But I care – and I’m not using my beta reader except as a first reader. For what should be finished work, so she has as clean an experience as I can make. I don’t want her pristine read complicated by anything that distracts her from the flow; when she tells me something doesn’t work for her, it is going to be taken very seriously.


And that is how I use AutoCrit (I have a Lifetime membership – worth every penny) to do what no human editor should be asked to do (count) and what I don’t want an editor to do (change ANY of my words, which includes suggesting I change them). They may not be happy about this, but it is the least traumatic way for me.

I really should stop even clicking on those ‘everything needs an editor’ posts. Their authors, some of them editors, hate people like me.

Is the artist in the way of the art?

IS THE WRITER’S APPEARANCE A DETRIMENT TO HER OWN WRITING SUCCESS?

When I was growing up, books had plain covers (no representative art), and the only means of interaction between reader and writer were the words on the page.

I usually skipped things like Forewords, and if I read the author’s bio, it was a quick pass, more destined to reinforce his name than anything else, so if I liked the work I could find more by him.

To this day, I have no idea what Robert Heinlein looked like, and only know what Asimov looked like because he was a bit of a media hound (and I had him confused with Einstein, which would have tickled his fancy. I think.).

There are statues of Marcus Aurelius, in stone or bronze, I assume – never even thought to look.

Modern digital life has changed all that

It is almost annoying when an author goes to a great deal of trouble not to let readers know what she looks like.

I prefer actual current photographs for avatars.

It is a problem for those with multiple pen names.

And I wonder just how much it influences the readers, especially in some genres.

Should Romance writers be pretty?

Humans who have sight are very visual creatures. It is estimated (somewhere) that 80% of our energy goes to dealing with visual input.

We react negatively to ugly things – after millenia of evolution that correlated ugly things with things that were often bad for us, such as rotted animals or toxic snakes.

Other things, such as the thickness of the ankles of young women in countries where sunlight was insufficient part of the year – which is an indication of ricketts, a disease which might also have affected her other bones, and make her more likely to have problems in childbirth, have gotten folded into our standards of beauty: thick ankles = not attractive.

I notice the way authors present themselves (check out Kristin Hannah’s Amazon author page) – and wonder how much that affects her sales (she’s gorgeous, and that’s a great photo). Wonder how any others can compete.

Do readers wonder if any of what’s in the stories is based on experience?

What about opinionated authors?

What do you think of authors whose claim to fame includes a very solid amount of in-your-face-ness? Are you more likely to read their books?

I loved Rudyard Kipling stories; reading about his attitudes has put a bit of a damper on reading his books, and would make me think hard about gifting them to a grandchild if I had one.

I make judgments about people based on their appearance

All the time.

I also immediately catch myself at it now, and look at those judgments dispassionately to see how much might be true. I have managed to change my own opinions quite a bit by a continued practice, and no longer automatically make some judgments which used to bother me a lot because they were so automatic, and couldn’t possibly be true.

But I’m wondering if, in the race for sales, those who look good have an unfair advantage. Again.

At least in getting started in the race.

Choose how you present yourself online

Not suggesting this should change, but I can’t quite stop making those automatic judgments about the photos that people choose to represent themselves with on their author page. Or avatar. Or book cover.

The good thing is that it is usually just at a few places, say Amazon, FB, your blog, and they don’t get to see what you look like first thing in the morning.

I need to work on that.

Do you ever think about how you are influenced by what you ‘know’ about an author?

I write today in Uttar Pradesh

THE MOUNTAINS I CAN’T CLIMB ARE MINE

Years ago, when I set Pride’s Children in 2005-2006, I worked out Book 1, PURGATORY, in a little more detail than the remaining volumes of the trilogy (there being only so much you can carry in your head at a time, and Book 1 was quite a lot to handle).

I emphasize that the rough draft was complete, Book 1 to the end of Book 3. I know what is happening – I’m an extreme plotter, and little of importance has changed since 2000.

Some of my research has come back, not so much to haunt me, but to challenge me, as I work through turning an unbelievably rough first draft (don’t be fooled by the perfect spelling, and all the punctuation marks being in their places) into the final draft, a one-step scene by scene process for me.

Victory after a month?

I finished a scene, which took me over a month to write, yesterday. I listened to it (one of my final steps) and declared it finished to my exacting standards (hehe), posted in my victory journal, and started working on the next scene immediately.

And immediately ran into a road block at a deceptively-simple plot point:  What time do we leave the hotel in the morning?

Did a bit of quick research on distances, times, and roads in Uttar Pradesh, India, and realized I had a whopping big plot problem.

One part of the research held: I had changed the date of the scene by three days, but the sun still rose within two minutes of my original date. Don’t laugh at me – it’s a plot point, and I pay attention (so the readers doesn’t have to) in great detail when I can. I think I need that degree of detail myself, when writing, to fully go somewhere inside my head which I can’t go to in reality because of time or distance – or because it’s in the past.

Research tools have changed

But when I wrote the rough draft, I was not concerned with details of traffic and distance in India. I did a quick pass, found the things I needed, figured I could nudge or hedge enough to make it work – after all, the scene had bridging a time and spatial gap only as a minor part, and moved on to the more important character plot points.

Today, I had to pay for that.

I had to have characters be somewhere at that particular time – which meant they had to get in a car at an appropriate time, and go to bed at a time which went with the rest, and have dinner first (all of which should be transparent to the reader), and fly in from the other side of the world.

Google Earth: villain and hero

Google Earth showed me it wouldn’t work. Not as I set it up originally, because they do such silly things as calculate how long it will take you from Point A to Point B at a PARTICULAR time of day on a day which might not be in 2005 (that calculation is lost), but can be extrapolated, with some care and patience, from what it might take today. Or next Tuesday.

It’s designed for commuters and tour guides. It is amazingly useful for me.

I hope some day to have a host of Indian readers – it’s a huge market of English speakers which has been barely tapped because of other problems such as rural electrification, vast population density, and its immense size. But I’m not going to be successful with them (assuming they actually like and read my writing) if I mysteriously shorten the distance between two Indian cities in an area where people actually know how long it takes to go from one to the other. The suspension of disbelief will go Poof!

There are many side benefits to spending time with errant details

The area is more real to me than ever before. And it was pretty solid then.

Other details that are important – and peripherally hooked in – such as who sits next to whom during a conversation, suddenly have answers from logic, not imagination. Thank goodness for real-world anchors occasionally! It gets a little rarified in the cloud-cuckoo-land of making it all up as you go.

And because I started Pride’s Children to tell myself a real story, real in the sense that it could happen, not necessarily that it did, I can believe my own lies.

 

Come into my parlor says the writer to the fly

LET ME SHARE WITH YOU, DEAR FLY

Let me show you around.

Let me show off the carefully constructed room I have created for myself, and I want you to see.

Constructing the tough scenes

I have spent over two weeks crafting the scene I just finished.

I have known for almost all of this century what would happen here: this scene has ONE main job.

It is a pivotal scene: without this one scene, the second book of Pride’s Children, NETHERWORLD, comes to a screeching halt.

The way I write, though, that is not unusual.

Perennial preparation

Outside my window a pair of goldfinches is systematically eating every single seed on the drying heads of the coneflowers planted just, it seems, for them and for this purpose. I never see them at other times of year – the little yellow and black birds, tiny compared to the big fat robins that eat the worms, tinier still compared to the crows and pigeons, and microscopic compared to the hawk that lives around here somewher (in themiddle of suburban NJ!), but bigger than the hummingbirds whose feeder I need to replenish today.

But for the goldfinches to have this feast, a whole host of details must have gone perfectly: the perennial plants were introduced years ago, the weeds have been removed (now by my assistant, as I can’t do much of that any more), the fertilizer was applied, and, most importantly, I have kept that same assistant from removing the drying seedheads of this year’s crop as garden debris. Yes, it would look a lot tidier, but the whole point of the garden was hummingbirds and butterflies – and the other wildlife that eats the various seeds and drinks the different flower nectars.

It is still a surprise to the writer

Anyone who reads this blog knows I’m an extreme plotter. Hundreds or thousands of pieces have pre-planned scenes (yes, there is a bit of give – I’m not a psychic) where they will ‘happen.’

This particular scene had the regular mix of other bits attached – some pieces are identifiable as recommended by Save the Cat, Blake Snyder’s books for screenwriters, and others come straight from Donald Maass’ The Fire in Fiction.

I have known about the details for the past two years.

But the details as executed, oh!

And it was still very hard work – three weeks of it – to turn this collection of plot points and character bits, events and revelations, new leads and old connections – into something that I felt would take me there, and be so real I couldn’t imagine changing any of it (now – the weeks have been nothing BUT changing the HOW).

So I can take a reader there with me, invite that reader into this scene, one of the rooms on this long house tour of mine, and have the reader feel at home and comfy in the plush padded armchair whose footstool has a hand-embroidered tapestry cover.

It is finished now

And it is real, and reliably causes my brain to load the experience.

So it’s ready to eventually share. Here’s a taste:

Andrew snippet

Don’t say I didn’t warn you. What? Where? Why? I promise it all connects.

I’m on to the next.

And the goldfinches have gorged themselves for now.